Mr Corbyn

P1010012 (2)
Comments

At last! I began to think it had bitten the dust. I would say this is good in its own right - it looks like him ( particularly the sort of pursed mouth). I think the pressure is off when you do a sketch as opposed to a full painting . I like the way the top of the head is cropped, much more interesting.

Should have continued…the last time I did a portrait commission ( which I didn’t enjoy but which they liked) , immediately after I painted a much looser, quicker version ( pressure off). I much preferred that one.

Interesting loose sketch which has captured the likeness of this man! Background colour works fine also.

Marjorie - have you been waiting for this, then, all keen anticipation? Had I but known I'd have posted it sooner........ I've had a bit of trouble photographing paintings lately: my camera is getting on a bit, and various features have just stopped working at all, including the viewing screen. But if I talk about a picture again, I shall post it more speedily! Thank you and Maureen for your comments.

Alan - the verdict I always dread! But very much value. Thank you - I know you're no fan of JC, and I too have significant problems with him; but painting him, so far as I could from photographic references, actually made me a touch more sympathetic - in that the struggles in his life are reflected in his face. However, obviously one can only take that so far - given I worked from photos.

Robert, you were just tantalising us…the longer the wait…etc etc.

That' a good likeness and an excellent piece of painting Robert.

A good portrait and good likeness Robert , not a fan of the man , but certainly recognised him from your portrait.

Great work. You not going to paint with acrylics more?

Good likeness Robert.

For a loose sketch in oils I think this is a very good portrait Robert.

When I saw the thumbnail, I thought 'Corbyn.' I like this very much. The marks that made it are readily seen, which I like. A characterful and thoughtful image, with all the liveliness of a sketch.

You captured his expression very well here Robert, the white highlighted hair and every line on his face.

Read about this on the Forum, great sketch and a likeness without a doubt. I definitely think it would make a great oil painting rather than acrylic

No doubting who this is. Excellent likeness.

I have been waiting in eager anticipation and I am not disappointed.

Excellent portrait Robert. No mistaken this character.

You've certainly captured his 'likeness' Robert which has to be the first priority, nothing more soul destroying than a 'who is it meant to be?' or an 'it doesn't look like him' response. There is a weariness about him but also a 'dimming defiance' in his gaze, I think it's great portrait.

Excellent - where are you based Robert?

This is terrific. I was impressed by your recognition of some of your elements being present in your work. I discovered this some time ago with my own. I think it is just being so familiar with our own faces, that it is a "default" setting.

Good grief, that's quite a set of responses! In reply to one - no, I'm not giving up acrylics; but I feel that, for me at least, oil is a far more responsive medium when painting flesh. Thank you all for all your comments.

You've certainly caught Corbyn's expression Robert. Well done!

Norette - I'm on the Isle of Wight, just around the corner from St Catherine's Point.

Hang on Studio Wall
23/10/2021
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820 views

I had a commission to paint Corbyn, never having met him face to face. I finished the portrait in acrylic - but what interested me more was this oil study: it IS just a sketch, but it took far less time to do than the acrylic, and I'm not at all sure it isn't a better likeness. So now I'm thinking of parking the acrylic, and doing a full scale oil. But - I do wish I'd had the chance to paint him from life, because I'm aware there are elements of me in this portrait as well!

About the Artist
Robert Jones, NAPA

Born November 18th 1950. Former party political agent, former chairman of housing association. Has worked as a volunteer with the NHS since 2000, painting seriously for the last ten years, sporadically for the last 50. Member, National Association of Painters in Acrylic from October 2015

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