Sunny Morning in Sidmouth

Comments

Really enjoying your Devon collection. Said mouth was one of my favourite haunts as a young woman.

Posted by Carole Kelly on Sun 09 Sep 10:53:46

Wonderful!

Posted by Jennifer Edwards on Sun 09 Sep 10:58:41

Thank you Carole and Jennifer.

Posted by Barry Hulme on Sun 09 Sep 11:03:11

Very nice Barry as usual.

Posted by dennis roberts on Sun 09 Sep 11:09:34

Great exercise it's worked really well, lovely washes and shadows, like the use of all the figures.😀

Posted by Linda Drury on Sun 09 Sep 11:16:44

I rarely use pencil, I much prefer to go straight in and take my chance. Super piece yet again Barry.

Posted by Alan Bickley on Sun 09 Sep 12:54:05

Great success Barry to great effect

Posted by Dennis Rounding on Sun 09 Sep 15:08:12

I echo Alan's comment, I tighten up and loose the thread if I draw too much. I jump straight in too, this is lovely. I'm enjoying your courses SO much. You make it look so easy....and it isn't!!!

Posted by Thalia Stones on Sun 09 Sep 16:12:50

Recognise this place! Like the warmth you have created and the minimal ink markings.

Posted by Maureen Sherman on Sun 09 Sep 17:04:26

Wonderful light Barry, another beauty.

Posted by Carole Swingler on Sun 09 Sep 20:17:02

Super light Barry.

Posted by Margaret Beynon on Sun 09 Sep 20:40:39

You made a great job Barry.

Posted by DOROTHY WILSON on Sun 09 Sep 23:29:13

Thank you all for the lovely comments.

Posted by Barry Hulme on Mon 10 Sep 06:54:30

Brilliant, but where are the ice-cream eating seagulls!!

Posted by Bob Ward on Mon 10 Sep 11:04:19

I commented on this yesterday.....I’m sure I did! LoI I said, great figures and shadows Barry, going straight in with the pen certainly tests your metal. I don’t have the patience to draw it out in pencil, then go in with the pen.....needless to say I generally make a mess of it. Nothing like that here though....good job!

Posted by Fiona Phipps on Mon 10 Sep 14:18:01

Hang on Studio Wall

09/09/2018

0 likes

524 views

Another done on the Amanda Hyatt workshop. The exercise was to draw in pen without any pencil outline which is no easy task when buildings are involved.

About the Artist

Barry Hulme

I started painting in 2004, I am influenced by Wesson, Seago and many of the great masters, more recently I enjoy the work of Steve Hall, John Hoar and Alvaro Castignet to name but a few. I paint in a loose style and try to simplify as I can. The medium I enjoy most is watercolour but dabble with…

View full profile

More by Barry Hulme