Early morning carnations (Acrylic on Saunders 140lb rough paper approx 7.5" x 5") by Bob Biggart

Early morning carnations (Acrylic on Saunders 140lb rough paper approx 7.5" x 5")
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Thank you Margaret, keep up the painting. I very much like the portrait of your husband playing the guitar, and the way you can turn from loose watercolours to acrylics.

This is so majestic Bob. The combination of mediums works wonderfully well. Trying to conquer the art of w/c but it's like handling a slippery eel. Your painting demonstrates the joy of experimentation and discovering new textures and pleasing images. Would have this on my wall any day.

Thanks Carole. Watercolour gets easier once you remember to have what 's on the brush as a thicker consistency than what's on the paper when working wet into wet, or to be more accurate less wet into more wet...once the sheen has gone from the watercolour on the paper, it's best to leave it alone until it has dried. Another thing is to use the better , more expensive cotton rag papers ( Not or Rough Saunders and Arches are excellent...though Ian Sidaway also speaks highly of the new Winsor and Newton papers) to enable easier dry brush effects, and more predictability when painting.

Hang on Studio Wall
21/08/2018
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The inspiration for this painting came from two sources. Firstly, a flower painting by New Zealand artist John Crump...I've used his cloth design in this painting. Secondly, was from some flowers in a jar with a lovely coloured glaze pattern standing on the floor at my mothers house. Watercolours are my normal medium, but I'm experimenting with gouache and acrylics also. I've been promising myself some Golden Open paints for some time, but haven't yet bought them. These acrylics are mostly Liquitex and I'm a bit frustrated at the speed of drying, but I can also see the usefulness of not having to wait a long time before painting over layers...experimentation with retarders may do the trick until I get the Open paints.

About the Artist
Bob Biggart

I'm an amateur artist who started to paint in watercolours about 1990, when I found that the watercolours I admired in galleries were way beyond my price range. My thinking was that in time I might be able to produce paintings that I could hang on my wall at home, and be happy with. At the…

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