"Digging for Clay"

Work in the sheds illustrations 008
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Very poignant Angela.

Why thank you Diane, I researched child labour a few years ago and because our mother's Ancestry originated in Arlesey Bedfordshire I discovered the premise where there were once claypits and a brick-making industry evolved. As my mother's grandfather was French I was curious about their lives and employment and discovered some were builders and straw plaiters! I wrote an imaginative story about a little boy who drew chalk drawings before he could read and write expressing his daily chores when he and his sister travailed and laboured in the clay-pits. This little girl was drawn posterior view of our grand-daughter one day so I transformed into this illustration.

So interesting and so poignant as Diane says

Children were also employed down coal mines! Many years ago, I lived in a tiny miner’s cottage and the neighbours were full of stories about the mines. It was a 2 up, 2 down and only 10 ft wide. Apparently 6 children would sleep in the same room, before going down the mine.

Thank you Heather and Linda for your comments and we forget how children were miss - treated in the 1800's, fortunately the Education Act served them well, and abolished these work practices so life altered quite considerably!

Hang on Studio Wall
08/04/2021
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Back in the days where children were employed to dig for clay where they toiled mercifully for hours on end to trudge and labour for a penance! I painted this illustration in acrylic diluted in water to show the dark trench-like earth where the little ones were treated like child slaves. Fortunately Lord Shaftesbury passed a bill in parliament to abolish Child labour and the first Education Act was granted so children could learn how to read and write.

About the Artist
Angela Harrison

Throughout life I have always enjoyed drawing and painting, and nowadays paint for Health and Wellbeing through Visual Art expression. I like painting animals, people, buildings, trees, and scenic places, sometimes I choose to paint Abstract and enjoy the freedom it gives in ways of experimenting…

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