Monotype - oil

Comments

That's a cracker Gudrun real magic

Posted by Dennis Rounding on Thu 14 Dec 17:29:41

That's a really good one Gudrun. Great action.

Posted by Jim Morris on Thu 14 Dec 18:03:26

That’s terrific Gudrun, my favourite to date I think.

Posted by Fiona Phipps on Thu 14 Dec 18:26:35

Thank you for your kind comments and appreciation. As you know, I love doing these. Also, thank you to whoever wrote this before I accidentally deleted and mucked about with posting not realising someone had been very quick of the mark! Super, Gudrun. Fantastic pose and movement.

Posted by Gudrun Ståhl Sharpley on Thu 14 Dec 18:57:50

Always top drawer.

Posted by Alan Bickley on Thu 14 Dec 22:25:55

Lovely the way the dress has turned out Gudrun, again a wonderful print!

Posted by Carole Swingler on Fri 15 Dec 08:29:33

I love the movement you have in this, a really lovely painting.

Posted by Linda Drury on Fri 15 Dec 09:40:31

Excellent work Gudrun

Posted by Dermot Brennan on Fri 15 Dec 09:57:11

Lovely work Gudrun

Posted by David Johns on Fri 15 Dec 17:29:05

This is a beauty Gudrun!

Posted by Margaret Beynon on Fri 15 Dec 19:07:12

Thank you some more for your appreciation and kind comments.

Posted by Gudrun Ståhl Sharpley on Fri 15 Dec 19:48:56

A wonderful feel of flow in the dress, and a facial description of flamenco, as the hands work the castanets. A really well observed and wonderful painting.

Posted by andre mulard on Sat 16 Dec 03:35:55

A super image Gudrun.

Posted by John Graham Inkson on Sat 16 Dec 11:55:46

Some more thanks for your appreciation. It warms on this rather freezing day.

Posted by Gudrun Ståhl Sharpley on Sat 16 Dec 12:13:31

Hang on Studio Wall

14/12/2017

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50x70cm. I am getting into larger. Apologies for glitch and thank you for the comment whoever it was who commented on this before it rudely disappeared! It doesn't state who it was in the email I get sent.

About the Artist

Gudrun Ståhl Sharpley

"The good painter has to paint two principal things, that is to say, man and the intention of his mind. The first is easy and the second difficult, because the latter has to be represented through gestures and movements of the limbs." (MK388) From: Leonardo da Vinci: The Graphic Work, p16, J…

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