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Daily Sketch
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Posted
Thanks Carol . I was trying the caramel ink last night on different surfaces to see how it worked and the effects I could get with it , the old boat is in a sketch pad on normal thickness drawing paper , the second is on watercolour a painting board the sketch was a half completed one that’s I had put aside, nothing to loose trying the ink out , black and the caramel brown . Both on white paper , the light is making it have a blue tint.

B

B
Posted
The blue tint has added an old-world atmosphere to your work, Dixie. The village scene is great.
I bought some grey and a grey-blue card from Trago, today, they need cutting down, to try out some pen and wash work. Haven't decided a subject, yet.
After reading, Tanja's miniature post, can't find it this evening, have tried a few small painting this evening, so I'll post them here.
They're on The Langton 7"x5" not paper. This was small enough for my eyes.
I like your period character drawings, John.


Edited
by Carol Jones
Posted
Thanks Carol, like your sketches . Still experimenting with the caramel ink , the dark shadows on the lower one was initially unintentional, put some neat ink on the paper and it was instantly absorbed then used water to dilute it . It’s in a pad I’ve not used for this type of work as yet , the problem is the paper is soft and the nib lifts a little bit off as you sketch plus it’s very absorbent.


Posted
A good pen and ink wash, Dixie. Soft paper does drink the ink, however, it has produced a lovely deep effect. A nice selection of drawings, John.
I'm off to Shrewsbury, today, my camera is fully charged. Now the brushes and paints are out, at last, maybe a bit of inspiration for coming weeks.



