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Inspiration from Artist Week 92 Maritime Artists .
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Posted
Welcome to this weeks Inspiration From Artists the format is a bit different this week as I will be posting several different artists throughout the week all are Maritime Artists. Please do add any marine painting to the thread and let use know who the artist is. I’m being a bit selfish with the weeks choice of subject as it my a
favourite subject to paint and view, posting it a bit earlier as I’m going to the pantomime with my young granddaughter does have some perks being a grandad.
I hope you enjoy my choice of artist and their work .
Neville Sotherby Pitcher 1889 - 1957 was a marine artist born in London ,who alert and early career in the Merchant Navy trained at Brangwin’s School of Art .
From the early 1900s he handled illustrated work and watercolour later specialising mostly in oils. Pitcher was a founder member of the RSMA , he served in the Royal Navy Volunteer Reserve in both world wars .
Edited
by Paul (Dixie) Dean
Posted
Some splendid work on show here Paul, I like the top one in particular, but all are excellent in different ways.
I’m posting a maritime watercolour by Rowland Hilder, also RSMA. So many to choose from but I’ve selected a fairly complex composition, expertly constructed and just look at where he positions his strongest tonal values to draw the eye into the composition!
Posted
What a cornucopia of maritime delights you lot have presented this week! All brilliant works, in different ways, united by life and movement; though my favourite so far is the Brindley, Study at low tide, at Staithes, which is still apart from the sky and remarkable for capturing the architecture of boats, that brilliant bit of painting in the fencing, the foreground grasses - here's a painter who knows exactly what he's doing and has really looked at the play of light on objects.
All of these paintings - no exceptions - are brilliant - show me an art critic who alleges that figurative painting is dead, and I'll show you a fool.
PS -- I suspect I've been misled by the caption in identifying the painting I mean; t'isn't the painting of the harbour, great though that is, but the one just above it.
Edited
by Robert Jones, NAPA