Techniques & Tips Search

Showing page 1 of 3
Perspective made easy

Winston Oh explains how to create depth and recession by applying the rules of linear and aerial perspective to transpose a three-dimensional image on to a flat, two-dimensional support

How to create aerial and atmospheric perspective in watercolour

Lesley Linley shows how to depict space and atmosphere in your landscape paintings.

How to suggest depth and distance using aerial perspective in your watercolour landscapes

How to suggest depth and distance using aerial perspective in your watercolour landscapes

Getting the Correct Perspective by David Bellamy

David Bellamy offers helpful advice on how to get the correct perspective when painting landscapes.

Final Stage
How to use a limited palette

Peter Cronin advises using a limited palette for watercolour landscapes and ‘palette muck’ colours to achieve atmospheric grey tones.

6_3(1)
How to paint an autumn landscape using Chinese brush painting techniques

Follow six simple steps to create an autumnal landscape using Chinese brush painting techniques with Ning Jialu.

How to use metallic and iridescent colours

Robert Dutton experiments with metallic and iridescent colours in pastel and acrylic inks and illustrates how they can enhance your potential for creative expression.

Step-8i
How to paint a Mediterranean coastal scene

Use water-mixable oils to paint a typical Mediterranean French scene.

How to paint beach huts in acrylic

Use of a range of acrylic techniques and colours to paint an iconic summer beach scene

How to paint people and figures in watercolour townscapes by Jake Winkle

Jake Winkle offers advice on getting the correct perspective when painting townscapes and how best to include figures in your paintings.

BE16a
How to draw a bear using pastel pencils

Follow Bob Elcock’s step-by-step demonstration to draw a brown bear and her cub using pastel pencils.

MountFuji
Explore mixed-media materials and techniques

Lydia Bauman encourages you to experiment with a variety of unconventional materials and mixed-media techniques as you paint a view of Mount Fuji.

Showing page 1 of 3