Copy of "the Floods at Port Marly" by Terence McDonald

Copy of "the Floods at Port Marly"
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I think Sisley's long out of copyright - and anyway, you've done all the right things to avoid infringement. Palette is very Sisley, those pearly greys and creamy colours. Yes, ok, I can tell you're learning but don't worry about errors - they're how we learn.

Thanks Robert, yes, we can learn a lot from copying the masters. Even great men like Constable copied the works of earlier great artists so why should we jib at it. I'm annoyed at the drawing errors because they were spotted when it got too much of a trouble to correct them.

I really like the result in your pastel. Smashing colours. Definitely caught my eye. We learn so much from other artist's techniques - Degas is a favourite of mine. I didn't have to worry about copyright. Very well done.

Thanks Jeanette, when I look at the Impressionists' work, I am always amazed at the variety of apparently unrelated colours which are used to give the overall effect - I'm still learning.

Lovely impression of the original Terence, and of course you have my full admiration for doing a complete scene in pastel, for the time being my pastel portraits are quite enough for me!

Hang on Studio Wall
31/03/2015
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This was an experiment in making a pastel copy of an oil painting by a recognised artist. I love the original "The Floods at Port Marly" by Alfred Sisley, which I saw in Washington some years ago. I had a print from a calendar which I used to make my own version, while trying to keep to the artist's palette (not easy in pastel) and technique (even harder). I learnt a great deal from this experiment, please excuse the drawing errors which an observant eye will pick out! The painting is 17" x 12" and is on Hermes 500 grit wet and dry paper mounted on card. The pastels used were a mix of Schminke, and Rowney with the odd bit of Unison thrown in. I hope I am not infringing copyright by showing it here - needless to say it is not for sale.

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Terence McDonald

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