Pen Y Ghent, Glorious September

Pen Y Ghent, Glorious September
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You've made this scene look very peaceful Ian.

Strong painting with a foreboding sky. There's probably a lot in your feeling that familiarity with the hill made in hard for you to paint it - I had a similar problem with a cliff, quite a famous one, which dominated the bay near to which I was born and where I lived for the first 30 odd years of my life. It wasn't until I moved away that my attempts to capture it looked anything like the cliff - I think because I was then able to look at it dispassionately and see it as just a geological formation, rather than the old acquaintance I'd grown up with.

I think you have done the hill justice Ian, love the strong contrasts in the painting between light and dark really gives distance and a bit of mystery/drama to the hill, a really good painting.

Hang on Studio Wall
02/10/2015
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Oil on board 12"x8", first for a while, the glorious indian summer that we are having has driven me to the heights above the village to get a painting og this glorious hill in the heart of the dales. Having lived beneath its shadow for 12 years this hill has been somewhat of a 'bogeyman' for me, as I have not been able to capture its characteristics how I would like. But 2 years ago we moved a couple of miles away and no longer can see it on a daily basis, and the reticence of painting this has seemingly vanished. I think it might have been a case of familiarity breeds contempt? Painted en plein air and finished in the studio.

About the Artist
Ian Black

Ian was born in Leeds in 1972, he is a self-taught artist living in the Yorkshire Dales National Park, and is undoubtledly proud of his heritage. Inspired by the characteristics of the Dales, Ian is a prolific sketcher and pochade painter who is attempting to capture the spirit of the local…

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