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Study for Oil Painting - and challenge
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Posted
PAul you could use white gouache or even go play with white gel pen. Or if you are really unhappy ,have another go. I ha have never really done anything amazing with salt. Robert is right it's catching it at the correct point in drying plus. Paper surface could b3 a factor, I wonder how it works on Yupo...a thought. two splendid paintings Denise @nd Stephen hope iyou don't mind I'm going to show them to the guy who took th3 original.
Posted
Tessa it what’s called a Robins pincushion, it isn’t a flower it the result of a grub in the developing bud. Basically a wasp lay a egg in the developing bud to hatch feed and grow , the result is the destruction of the developing fruit and this is what you see.
When a bush has several on the look quite spectacular. It’s caused by the chemical changes the Diplalepis Roses Gaul Wasp to you and me ) does as it feeds the Gaul is called a bedeguar gall, mossy gall or just moss Gaul. Here are a few I have taken off line , look forward to seeing it.








Posted
Carol do go for it! I recently started using ‘real’ oils again having used the water mixable version for the last few years. What a difference to use-so much more fluid. I had forgotten but enjoying them.Interesting that you should say that - there are debates raging all over the shop on water-miscible oils as opposed to the real thing, and plenty of users of the former who would be very annoyed with me for suggesting they're not "the real thing"; on Facebook, there was a furious exchange between the maker of Cobra water-miscible paint, and the owner of the Rublev paint company, who really doesn't like them, or who at least points out some of their weaknesses. I don't know - nor does anyone else, really - what the long-term performance of brands like Cobra and Artisan is likely to be. My concern with them is more the way they behave - and I completely agree with you. I had only a small selection to play with - i.e. four colours plus Titanium White - and I've no reluctance to buy a full set and give them a proper try, other than that I just don't see any need for them; and I'm a bit on the tight side! In the end, I used them with my regular oils until they were used up... and found they behaved rather better than they had with water or Artisan medium. I remain curious, though - maybe when I've got some spare cash I'll get myself a full set. We shall see.

So here’s the next version, went a bit wild with the impasto oil! Hollyhocks are harder than you think.

