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Inspiration from Favourite Artists week Ten : Paul Nash and Desmond Morris.
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Posted
Two very different artists this week, ten weeks in and we are still getting new names for the list , thank you for your suggestions.
This weeks artist's are : Paul Nash and Desmond Morris .
Alan Bickley will introduce Paul Nash and on Wednesday lunch time Michael Edwards will introduce his choice Desmond Morris. Have a good week and enjoy these two excellent artists.
Posted
Paul Nash (1889 – 1946) was a British surrealist painter and war artist. He was among the most important landscape artists of the first half of the twentieth century and played a key role in the development of Modernism in English art.
He entered the Slade School of Art where he concentrated on his love of landscape painting.


Posted
I'm not a lover of his war time paintings which are, by their nature, somewhat sombre and not the best of contenders for the 'would I hang it on my wall' test. However I do love his style which excels in his landscapes as in the last of Alan's examples above where the colours, shapes and composition come together as one.
Edited
by Michael Edwards
Posted
Paul Nash visited my home town of Swanage on many many occasions from the age of 11, his last visit being in 1946 just days before his death. During his times in Swanage he produced a number of Surrealist “seaside” works and was responsible for editing the Shell Guide to Dorset. His most important works in Swanage were done between 1934 and 1936.
White cliff farm
The new pier Swanage.
White cliff farm
The new pier Swanage.
Edited
by Alan Morris
Posted
I do like Paul Nash’s work and his landscapes are easy on the eye. I’ve chosen a few more here. I also appreciate ( not sure that ‘like’ is the word because of the subject matter obviously) his war pieces. I wonder is there still such a person as a ‘war artist’ or do we now rely totally on photography? Seeing some of these recent discussions on artists, a few of whom have become war artists, and the current war in Ukraine brings home what a horrendous job it must be.




Edited
by Tessa Gwynne




