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Inspiration from favourite Artists week : Francis Bacon and John Nash .
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Posted
Well I have found one of his paintings that I actually quite like , I’m not a big abstract fan but I like the simplicity of this one .Goes to show if you look hard enough you will find something that you like. Sorry I found two the bull is reportedly one of his last, what a way to finish .




Edited
by Paul (Dixie) Dean
Posted
Paul, they’re different, I also like the bull. (The top one looks like fabric, and on looking again at his work found that it was one of the rug designs he did when he was focusing on interiors. Apparently some of them later became paintings.) I also came across this one (a watercolour) which I quite like.


Edited
by Jenny Harris
Posted
JOHN NASH (1893 -1977) was a British artist best known for his landscapes, although he also produced wood engravings and illustrations, especially of botanical subjects. He had considered a career in botany but was was encouraged to become a painter by his older brother Paul, an artist who studied at the Slade School. John had no formal art training. Both brothers were commissioned as war artists during WWI.
Cornfield with Stooks
Cornfield
Winter Afternoon
Sea Poppy
Autumn

Cornfield with Stooks
Cornfield
Winter Afternoon
Sea Poppy
Autumn

Edited
by Jenny Harris
Posted
Such a change from Francis Bacon. These are paintings I can relate to. Some of them (prints) I remember from my school days hanging on the school hall walls I think I missed most of what was going on looking at them.
The WW1 paintings capture the moment with dark drama, then the lovely British landscapes and incredible botanical drawing/ print. Love each and every one of them. Great choice Jenny thank you .
Posted
What a superb artist, his war theme paintings are excellent and quite moving. I like his style of landscape painting and have seen it lots of time without realising who’s it was . I’m really taken by his wood engravings mostly done black and white, so effective. You can see the botanical influence in his work. 





Edited
by Paul (Dixie) Dean


