Marguerite in the fields (Loving Vincent training animation) by Seamas Olabhradha

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How tough that must have been! Great work.

Posted by T H on Tue 05 Sep 10:15:46

It was very difficult Timothy Holmes. Matching the colours was hellish sometimes as It was difficult to detect the difference between the original colours and areas that had mixed on the canvas. But we got there :)

Posted by Seamas Olabhradha on Tue 05 Sep 11:50:54

Impressive work

Posted by Frank Bingley on Tue 05 Sep 13:02:00

Saw this on the forum Seamus, your work seems to be very varied and interesting.

Posted by Margaret Beynon on Tue 05 Sep 15:04:59

It may be my weakness Margaret. I haven't quit found a "Seamasy" way of painting yet. I hope from one thing to the next a little too hastily.

Posted by Seamas Olabhradha on Tue 05 Sep 19:09:16

Hang on Studio Wall

05/09/2017

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The marguerite on the right is mine, the one on the left belongs to Painter/Animator Anna Kluza. I ha put them together to demonstrate part of how we had to work as animators on the film Loving Vincent. It was important that we were able to mix exactly he colours we saw in each others paintings, and mimic each other's painting, while still maintaining the Vangogh-esque style