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Message
Posted
A bit early to decide on that, I'd have thought, but I do understand your thinking - with the weight on the left, how can you balance it on the right..? Without, of course, detracting from your focal point. These are the decisions we arty types have to face every day - and with which we're all familiar. With the light coming from the left, as it seems to be at this stage, shadows could help you - but I shall not presume to prescribe!
Posted
NWorking on balancing a scene is a big part of our learning process as we develop our skills , there a slight different opinion a to what s a balance painting some like the main feature deaf centre others as long a it’s not to far to either side .
This looks fine to me and a its developed I’m sure it will look fine to you as well Brett , rathe than crop it work on getting it to look balance , you will learn are more that just cropping when your not happy with how it looks . It t easy with edit facilities to think oh I can just crop it , honestly you will develop skill far quicker b learning from correcting your work. I’m sorry if this comes acts a lecture but I do think it’s so important to learn by undoing mistakes.
Robert mentioned the shadows , I would suggest that you have then quite dark so that the figures and trees look like the are attached to the ground and also to contrast the lighter foliage etc .
Edited
by Paul (Dixie) Dean
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around the golden mean and leaves some room for the image to breathe on the right hand side.


Spot the difference.
