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Hang on Studio Wall
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Message
IFor some time I’ve had a problem with my right hand , over the last two weeks it’s become more difficult to paint or sketch as I feel like my hand is in a very tight five pound steel gauntlet. It going to remain this way until I have surgery to remove the lump that’s growing over the tendon and pressing on the nerves . So what’s this got to do with paint and my creating a post about it , it’s my problem and I’m nor looking for a sympathy vote etc , it’s been suggested that if I say what I’m doing it might be of use to someone else, well I hope so . I’m not able or wasn’t able to paint in my usual way simply because I can’t feel what I’m doing with the brush, yes I can see what it’s doing but it’s surprising how much we use the sense of feeling without realising that we do . I have thrown away more painting in the past two weeks than I ever had in years  simply because I was frustrated with the results and on the point of giving it up. I’m as stubborn as a mule and once I get the bit between my teeth I don’t let go . Frustration, anger , self pity all kicked in but I’m determined to paint even if it means changing my style , techniques , and starting all over again . I norm use watercolour and don’t want to change that , I decided to do a woodlands scene but to my surprise I was laying on the paint thick like acrylic. The problem is that I can only paint fir ten minutes or so then need to rest , the about work had taken about five hours over two weeks, I would normally do something like this in a couple of hours. What has happened in that time is that I’m becoming used to the heavy feel and my brain is adjusting to the feeling so that I can now do slightly lighter strokes of the brush .  Still taking time and this long winded post has taken best part of an hour to write , but I’m painting and that the main thing . Given time I will be doing similar work to my old style , but then will eventually have to adjust again following surgery .  What I’m trying to say is don’t fir goodness sake give up , lol at other ways of achieving what you want to do , but accept that  its not going to be exactly the same .  The challenge is rewarding in may ways and there is a vast amount of learning along the way , something good comes out of trying I believe. My apologies if this sound like a sympathy story but it definitely not the ain of posting . This is where I’m at with this paint , will I continue with it , I think so as I quite like the look of it , but will, and be trying to paint my usual way as well . Ok yiu can wake up now I’ve done . Gel like I’ve typed forty pages , ok it sounds like it to.

Edited
by Paul (Dixie) Dean

Paul - I like what you've done with these paintings: there's always a consolation (well - NEARLY always!) when we can no longer do what we used to be able to do do; without labouring it, I can't get out to paint in the countryside any more, and have to rely on my own photos and sketches ... well, at least I can stay in the warm of my flat rather than have to venture outside and try to draw or paint when I really can't feel my fingers .... that's been the case for quite a while now: but - I sort of manage.  We do adapt - my memory for names is awful these days, but one of our colleagues, now no longer with us (in every sense of that term) came out here and we went out sketching together (Philip Snowden - came to me eventually!) - he had his own problems, I had mine: we did our best, and retired to the pub for a bit of lunch!  Philip had suffered a stroke, I have osteo-arthritis in all major joints: we still managed to produce our stuff, for better or worse, and still enjoyed it - as indeed I still do.    To be honest, we didn't really get on!  But we were united by our struggles with physical limitations and had our different ways of dealing with, if not necessarily overcoming, them.  Adapting to age, decay, decrepitude, the general advance of the swinish years is all part of Le Grand Jeu!  And sometimes - the changes wrought can actually make our work more interesting..... now there's a thought... 
Nicely painted Paul, some body colour in the mix as well! I believe Robert is referring to Derek Snowdon, I remember he took his caravan over to the IOW and met up for a session or two of sketching… or was it drinking!
I like your darker tones here Paul. Hope surgery not too long delayed. 
I also like your darker tones here Dixie, and your perseverance! Keep at it lad, you are an inspiration.
Thank you for your comment and support, I’m enjoying painting this way ,would better if it wasn’t forced on me . I’ve discovered so many different ways to do things it like having lessons , but without someone telling me how to do it.  I shan’t be giving up painting , not an option in my book , and I will paint like this when my hand is functional again, could be several months before surgery as it nit sen as urgent . The prognosis is a 95 to 98 percent recovery in the movement etc so that’s  not too bad and will be almost instant, just a couple week or two exercise to overcome the surgery. I have already started to paint more like my old style as I’ve become used to the very heavy odd feeling in my hand , I have two paintings on the go so it will be interest to see the difference as they develop. The main thing is being positive and exercise the hand regularly, I’d do a small stink of exercise about five times a day . The other point made by the consultant was to moisturise and massage my hands to keep them supple, something I’ve never done unless I’ve had sore hands fro frosty weather.  The only down side is not being in my painting g confirm zone, no where to escape Trump and Co . Any time for me to shut up and get the brushes out , as to you lovely people just do what you do and enjoy doing so . This is one that is destined for the bin as the sky is a mess , it was to warm and I took to long painting it then messed about trying to correct it .
Nicely painted Paul, some body colour in the mix as well! I believe Robert is referring to Derek Snowdon, I remember he took his caravan over to the IOW and met up for a session or two of sketching… or was it drinking!
Alan Bickley on 07/04/2025 23:42:51
Derek Snowdon, yes!  Told you I had a rotten memory for names: Philip Snowdon was a former Chancellor of the Exchequer, from the 1920s and '30s, which tells you where my thinking tends to reside...  Drinking certainly played a considerable part of Derek's diet, and of mine: though he was a beer man: rather than contributing to his downfall, I suspect it's what helped to keep him going.  Anyway: point is we adapt, and in adapting might even discover things we never knew we could do.   That is the slant I wished to convey.....  (Philip Snowdon - s'trewth!).   Paul - depending on the pigments you used, and the resilience of your paper, it is possible to almost completely blot out the sky that went wrong.  It'd be hard, and probably not worth the heartache, if you used staining pigments (e.g. pthalos) but if you used, say, Ultramarine, Payne's Grey, those which I think are normally part of your palette, it could be done and might be worth doing: but I understand the point about not fighting with a painting, but throwing it out and starting again.  Here's where we opaque pigment painters score over you watercolourists - it's much easier to scrape off our mistakes or just cover them up...  
I did try to recover it Robert as you say watercolour is the easiest to restore, I’ve decided to deep six it as the navy would say . Not  worth the time or trouble try to put it right when I can do the base sketch and another sky much quicker , normally anyway ,sometimes we just need to accept it’s nit worked out , love painting it give you a real kick in the backside sometime and reminds you that your not that clever. 

Edited
by Paul (Dixie) Dean

I’ve done quite a bit more on this since last posting, also working on another but very different.
I’ve already commented privately, but this really is superb painting! Nothing wishy-washy here Paul, keep them coming!
Thank you Alan for your comments both here and privately.
It's one of your best, because it's one of your strongest - you've had to fight with your disabilities here, and I don't for a minute suggest you should happily welcome them, but rather I hope you'll find the strength and courage you've exerted have provided a consolation and compensation for them: such consolation is normally not easy to find.  There's sheer determination (some might say bloody-mindedness!) in this painting, and it really does come thudding through.  
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