What to draw next and other mumblings.

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Hang on Studio Wall
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I like to have art work on the go at all times.  As illustration is my main driver, the work needs to have some narrative to keep me interested.  Having plenty to do keeps me happy.  An ideal day would be a morning working in the garden (and similar activities), followed by an afternoon drawing.  I've just come out of a few weeks period of medically induced indolence, where all I wanted to do was study my navel.  I've been struggling a bit about what to do next art-wise. My son is aware of this and has come up with a suggestion.  He works at a respite care home.  One of his jobs is finding things to do for his clients.  These are people who've had illnesses and accidents that have left them disabled.  By comparison, my woes are trivial as I can still do stuff.  He takes them out to places like Beaulieu, and on boating trips etc.  When confined to the respite center, he gets them playing musical instruments (my son is a musician), a group of them produce a jokey newsletter once a month, and another has written a short story. The story is a tongue in cheek horror tale, my son helped him put it together.  It would be nice to have it turned into an actual book.  That's where I come in.  The story is too short for a book, but not if it's illustrated.  I think it's a good yarn.  It'll take a fair bit of work, but there's no rush.  No deadline. The first decision is what form will the book take.  For a number of years I've produced books of my art...purely personal things...I keep my stuff on line, but that's not reliable.  It's great to have a paper version in book form, which means I needn't keep the masses of drawings I produce.  (I do keep some of the originals).  Most of the books are a4 size, either in portrait or landscape format.  These seem too big for this project, there won't be masses of text on the pages.  In a4 size the text would be too big.  My son likes the last art book I made about 3 years ago.  A smaller, square shaped book, the pages are 21 x 21cm.  Here's that book... ...it's all black and white.  There's a hard cover and thick lay-flat pages.  Obviously it's mostly pictures, but I did include some text.  Here's the first page... So we've decided on the book format.  Now for the FONTS.  My wobbly writing is a no-no.  I chose this font because to me  it looks like it was done with a dip-pen.  That, I felt, went with my book of black and white drawings.  I like it for the new book.  The font is called chiller.  At the moment the jury is out of that.  There are as many opinions about fonts as there are fonts. I would have liked to have drawn everything just in pen and ink (my favourite medium), but it takes me too long.  I'm very likely to give up on that, so the graphic style will be pen and wash.  It'll be cartoony and what passes as my 'loose' style.  My sketchbooks are full of this, a quickish, easy sketchy style.   Here's my stab at the front cover for the book... ...this will change, it needs the author's name.  I'm assembling this in my ancient version of photoshop in a file format that enables me to change things easily. Odd name isn't it?  But it's a jokey tale.  Had me wondering if it's ever been used as a surname.  Wouldn't you know it?  It has.  So has the word DEATH, even more so...over 300,000 in the UK apparently.  Some of the posher types add an apostrophe making it De'ath.   The book will be mostly text with a spot drawing on the same page.  Occasionally, there'll be a full page illustration accompanied by a full page of text.  Here's a full page pic I've done in this sketchy style.  It comes at the start of the book.  A married couple, living in a shambling falling to ruins castle get a visit from the council with a compulsory purchase order and plans to flatten the castle... My scribbly trees are not very good.  I don't do landscapes, I'll have to look at Alan's sketches and do a spot of cribbing. The book will be a photobook, there are masses of companies out there.  They all frequently do offers, if we wait for one of those it'll cost around £25-£30, not too bad a price.  Got to draw it all first.  I'll let you know how things develop, if you're interested. 
It’ll take time to digest all this… but I like the idea very much! I like the square format, but I also like the landscape format also, easier to design for me anyway. I have knowledge of many fonts over the years as a graphic designer, I’ve never heard of that one, I actually designed a font back in the 80’s, which went into Letraset if anyone remembers that stuff… Bickley Script was its name! I recommend not to use Brush Script on headings, or annyw else, it’s outdated and frankly vile! Anyway, moving on, you don’t have to fill a page with text, limited text can look good with space around, but don’t increase the font size to fill the page! Obviously you won’t do that… Interesting project though somewhat time consuming - but that’s what you need I’m guessing! Cover idea looks fine so far. Keep us in the loop!

Edited
by Alan Bickley

You're right Alan, something ongoing  like this IS what I need right now. We considered A4 landscape format.  That would allow plenty of room for a drawing and text on the same page.  I tried one a4 landscape layout on the photobook app, and it needed too large a font to look visually appealing.  So we opted for the square smaller format.  The intention is to have the same size font on all the pages for the narrative text.  On the few pages I've done in the square book it looks OK. 
Understood and square is good… Absolutely essential to have same font throughout… as you have already alluded to. Obviously a similar font for any headings throughout, bold probably but I’m not keen on italicised headings personally! And no stretched or elongated fonts, except for the cover which is very acceptable. I know you like experimenting with these sometimes… not for a book though. I’d love to be sitting alongside you designing the layout with you, most enjoyable part.
This is all so very interesting, and I cannot help but admire Lewis’s attitude to life, you are an inspiration. So many seniors give up. They say, “Oh its to late for me”, and “I can’t do that now.” Whatever you may believe life was given by grace so its not there to waste. The words retire and retirement are poisonous words because once you accept its a downward slide. Like Lewis’s son I used to work with disabled adults. Apart from those that responded, so many more could enriched their lives. I had better stop as I am going of the rails a bit.
What a wonderful project Lewis, I will be very interested to see how it develops. Do keep us in the loop. I love your illustrations so far, brilliant expressions (as always), and I think your scribbly trees suit the atmosphere you're creating. Your son sounds like a wonderful positive person too. I'm sure Alan's advice will be very valuable. (Sorry John but I have to disagree. Retirement for me was a brilliant word = freedom, whole new lease on life! I'd burned out. Able to do all sorts of things I couldn't before. Still doing them.)
Sounds really interesting Lewis and hats off to you, shall look forward to seeing the finished book
That is very true Sarah, seen in the right context it’s great. This the usual a line is taken out of the context of what has been written and then thats just expanded on. The whole context of the message is just disregarded, all thrown out of balance. Put it this way the word RETIREMENT should be taken out of the dictionary. That’s my view, thats why the word comes across as poison to my sense of life.

Edited
by John Graham Inkson

This is a wonderful project - it'll certainly occupy your mind and time, and what's more, it'll be a great thing to have: i.e. get it published, even if you have to do it  privately.  Sylvia Evans did that, with Sam's Tale/Tail, and it was a great success (hello Sylv, if you're looking in). I have seen the Chiller font - too much of it would, I suspect, be a chore to read  - you'd soon get fed up with it; Brush Script, agreed with Alan -  hopeless for any amount of text.  There are hundreds of fonts out there  - run 'em past Alan first, it's very much his field.   Oh, and judged by the above, and others of your drawings, I wouldn't  worry at all  about your trees - I paint a lot of trees (when I  bestir myself) and there's nothing wrong with yours.  
On retirement - I sort of agree with John; I  have retired from the work I did other than painting and a bit of writing; but the thought of doing nothing - well, it might be enjoyable for a  while; the gin and tonic on the terrace, watching the setting sun through a haze of cigar smoke, stretching the legs idly, toddling back inside for a light  supper and bed... well, I tried that at first.  The relief of not having to listen to other people's ill-judged arguments, taking minutes of meetings which  had served no real purpose, mastering a political party's lumbering technology (which I've now forgotten - good!) - that relief was considerable, for a while. Then, it became extremely boring.  I was 72, kept my hand in  with the old crowd to some extent, but am drifting further and further away from the world of politics and administration; so am now pleasing myself,  but not "retired". I've  seen too many retirees give up work with relief, then wonder what on earth they're here for - don't settle for inactivity; it kills yer! Apologies for the length of this advisory.....
Thanks for  the encouragement.  This is a short story, it's three and a half pages of single-space typing.  I've spent time breaking the narrative down into pages.  For the most part there'll only be a couple of sentences on a page (with a spot drawing).  Here and there there'll be a full page illustration, they will be accompanied by a full page of text (not massively dense).  The minimum number of pages for these photobooks is 24, provisionally I'm planning on 26 pages.  You can add pages easily, two at a time obviously, but can't have less than 24.  For the font, I'm expecting to use a fairly standard font for clarity, so my chiller font is out.  (It suited me for my book of drawings, but not this one). We've been looking at fonts, here's a few try-outs stuck on a page with a spot drawing... Alan, I had a look at your script font that you mentioned, it's great.  Kudos to you.  (I've put it on the try-outs page above, because I think people should see it.  We won't be using a script font...I know you didn't suggest it for that, merely mentioning it in passing, but I think it's one of the best script fonts I've seen.) I've been looking at illustrated books that I own.  They use clear 'straightforward' fonts for the main text, with the occasional flight of fantasy for titles or chapters.  No chapters in this story.  I am leaning towards something like Tw Cen MT in the try-outs above.
Robert  Thanks for your advisory.  I'm in a similar place. But still working part-time in an architects practice.  Reading other people's live choices is and situations makes my choices much clearer.  Thank again. 
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