Tazzy, permanent ink on Bristol Board, (30x21cm)

Learn how to draw a kitten and other animals using pen and ink.

‘The combination of pen and ink has a long tradition as a drawing method for illustration,’ says Murray Ince.

‘In its earliest form it was used for one-off illustrative purposes, either as a black-ink-on-white paper drawing in its simplest form or, with the additional use of colour, usually egg tempera, for illuminating manuscripts, such as the Book of Kells. These early illustrated books and manuscripts were mostly created by monks in breathtakingly beautiful detail; they were acts of love and devotion, and took many hours of careful work.’

Animals as subjects

Fur and feathers are particularly suited to depiction in pen and ink, as basically each line you draw represents a hair although, of course, in reality, we can’t possibly draw every hair, but we can draw enough for the viewer to accept that what they are seeing is indeed a drawing of a very hairy animal.

Each line is drawn in such a way as to portray the characteristics of the subject, therefore linear direction is of the utmost importance. Imagine a cat’s face as a clock face, the direction of the fur grows outwards from the centre, therefore the hair between the eyes grows upward towards 12 o’clock.

Think how you would smooth a cat or dog’s fur from the top of the head and stroke toward the tail; do it the other way around and they soon become grumpy!

So, the fur below the nose grows downward toward 6 o’clock and from the centre out towards the side of the head. Understanding this is important, as it makes drawing the animal easier.

If we were to draw a cat or dog’s tail, for example, the fur at the tip of the tail would be the place to start then work our way toward the head, as this allows our pen strokes to overlap naturally in the same way the fur grows.

To draw a cat’s portrait, therefore, I start with the fur at the outer extremities of the head and work my way in to the centre, a portion at a time.

Features, such as stripes, are gradually built up with strokes placed much closer together, and white fur is suggested with a minimum of marks and just enough to visually describe fur.

Start with something easy

Harriet, permanent ink on Bristol Board, (30x21cm)

If you are daunted by the thought of drawing a real animal, try drawing a furry toy first; it is a little less daunting and can be simplified to a greater degree than a real animal. The techniques needed, however, are exactly the same.

In the drawing of Harriet (above) I used various shading techniques, including hatching, cross hatching and simple linear strokes.

FOLLOW MURRAY'S DEMONSTRATION TO PAINT HARRIET IN GOUACHE

Build up your confidence then try drawing your favourite cat, dog or other furry pet; the similarities are surprising, even with fake fur.

TOP TIPS FOR DRAWING ANIMALS

  • When creating a fine white line, carefully hatch up to your pencil line then continue on the other side, leaving the gap. Then simply erase your pencil line.
  • Vary the length of your lines according to the fur you are depicting.
  • Look at your subject through half-closed eyes. This simplifi es the tonal values, revealing the most important darks, lights and mid-tones.
  • Use a kneadable putty eraser as it is more sympathetic to the surface of your paper.
  • Practise creating dark and lighter tonal values by adjusting the gap between your lines. Simply draw your lines closer toget her for darker areas.

Demonstration: Merlin

Your reference photograph for this demonstration