PTG Exercise 5 - Shoreline

PTG Exercise 5 - Shoreline
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WOW SO MANY DIFFERENT TREATMENTS AND THEY'GOOD

Paul selected Linda's work for critiques this month saying: 'A great feel to this Linda and I’m really impressed that you shifted the focus from the building and onto the pebbles. I think the colours, loose shapes and spatter work really well here. The painting is quite high key but the subject matter carries it off. You didn’t say whether you refrained from toning colours deliberately but I’d say it’s always a good idea to have some ‘grey shades’ here and there at least. You can use a little ivory black or a neutral tint with your colour for this. This brings me onto your building. Leaving it as a simple flat shape is fine however you have painted this in bright colour, which makes it comes forward in the painting. Being bright but devoid of detail and features it looks a little unfinished. Try to involve it more with your distance by using some sky colour in there, maybe losing the shape in places, so that it becomes distant and vague. Take a look at Barry Baxter’s painting (the one next to yours). He’s involved his sky colour with his buildings and they really sit back in the distance.'

Hang on Studio Wall
13/04/2016
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Linda Bradshaw sent in her version of Paul's exercise saying: 'Painted on canvas using Cerulean &Ultramarine Blue, Emerald Green, Burnt Sienna, Titanium White, Winsor Violet & Flow Enhancer: I sketched in the shapes with blue paint as I didn’t want the house to be important I left it as a simple flat shape. The grass I painted quite darkly with blue & green then when dry over painted with white to create texture & movement, when dry I used flow enhancer with green to soften the effect. The pebbles I painted in a similar way: white over dark with a thin layer of colour which I scratched off just before it dried.'

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