PTG Exercise 3 - Moorland View by Painters-Online Team
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Rosemary Moulds sent in her version of the Moorland View saying: 'I dampened the paper first with a damp brush then used heavy body acrylics diluted with flow improver. I sed a mixture of fluid acrylics and heavy body with some heavy gel matte and assortment of brushes and the credit card. Wet on dry, wet in wet and glazing layers were built up. Not delicate enough brushwork in the foreground in my haste to soften, I fear.'
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