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montain village, Tenerife
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Yes, you’re starting to achieve some painterly brush marks which is excellent, some of your greens aren’t too convincing if I’m honest. A colour mixing chart would be a good investment.
Aerial perspective could be improved, lighter and often blue hues work well in the distance - half close or squint your eyes and it all looks a bit flat, so increase the tonal values… often this means darkest in the foreground and counterchange throughout the painting (light against dark and visa-versa)
Select a light source and exploit it to your advantage, as in strong shadows etc.
All these things help to give the illusion of a three- dimensional painting, when we know that it’s actually a two-dimensional flat plane.
Soften that ridge line where it meets the sky, fingers are great for this.
But in general, a reasonable decent painting, it’s just these finer points that you need to work on John.
These are my observations, others may see things differently - it’s in no way intended as a criticism.
Edited
by Alan Bickley