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What’s on the easel? WIP
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Posted
I agree with Denise, this version looks better much less crowded. I don’t think it need a replacement, it better being able to see the distant tree line etc , and adds depth beyond the buildings . I tells me the story of walking down the lane heading to the buildings , and seeing the far horizon on my right that will be obscured by the buildings and tree as I get closer.
Posted
No extra tree it is then… but I’ve decided to drop in a few ‘saplings’ in the hedge to the right of the buildings… it just needs a bit of height to break into the large sky area!
Light! You want light Marjorie… then you shall have light! I’ve seen the light!
Nowhere near finished yet, I’ve got a bit bored with it actually, nearly scrubbed it off earlier!
Posted
Maybe place the largest tree further into the foreground and a little to the right, then add your small portion of hedge to the left of it, it will show the point of interest in the middle distance, a bit more. Those building deserve to be shown off. This is developing nicely, it has a lovely atmosphere.
Just a thought for your consideration.
Edited
by Carol Jones
Posted
Thanks again for your suggestion… I’ll have a look at that idea Carole, although bringing a
tree forward could upset the balance.
I’m leaving it to dry a bit before I take another look. I’ve been working on a series of industrial landscapes, so I’m finding this composition a bit underwhelming… but I’ll persevere and finish it!
Posted
Well, you'll upset us all if you scrub it off now - so don't do that!
Getting bored with a picture - hmm. I would normally say, though not in this case, if you're bored with it it's unlikely to work and you maybe need to turn it to the wall for a while and have a crack at something else. I think in your case, though - you're very capable of getting right back into it and rekindling your enthusiasm, once you approach it again with a re-charged palette and a few nice clean brushes. We all hope you will, clearly.
For myself - I have a canvas all ready but can't make up my mind whether I should use portrait or landscape format; annoying, when you want to crack on with paint, but committing to a painting when you have doubts about the format can be asking for trouble .... lots of sketches first, I think: the canvas has been turned and re-turned so many times that I shouldn't be surprised if it's feeling dizzy.
