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Sloshed about a bit
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Message
Posted
Just rediscovered this hidden in a cupboard…no rude comments please. It’s inks on lovely thick paper A2 .
I want to do something with it, I’m contemplating ,more ink, oil pastel , bleach.
Eeeny,meeeny,miny, mo . Watch this space…at the moment bleach might be my way forward got a new bottle in the loo.
Edited
by Sylvia Evans
Posted
Like those Fiona ,I’m using Brusho ink . The bleach isn’t doing much at all , and as Robert says it will probably destroy the paper surface . Never thought to use it on photographs , I assume black and white? . Possibly the first layer of ink was done quite a while back so it is really ,really dry and sunk into the paper but the effect isn’t amazing.
Posted
Coming back to this briefly - the smell of bleach, even Milton's baby fluid (which is at least mild), sickens me. So I wouldn't use it for that reason alone. In terms of longevity - in truth, none of can really know how long a piece will last - 30 years is no time at all, chemical reactions occur over 50 to 100 years and more. But given that Quink isn't lightfast; and bleach certainly isn't; and that paper fibres can be attacked by bleach, weakening and rotting them, I wouldn't put the chances of any original artwork produced this way lasting all the way into your grandchildrens' time. That may not matter: you can always photograph and store them digitally. But - let me be honest: I've seen quite a lot of work with bleach added to it - and by and large, it's looked to me like a passably successful watercolour: with bleach added to it. In other words: I wouldn't have bothered with the bleach, unless I wanted to whiten my shirt cuffs.
In other words - you can add all sorts of schmutter to paint, if you really want to, and all of it will alter it in some way - some way well beyond your control. I'd much rather see what YOU can do with paint, than observe chemical reactions when you decide you want to arse about with it.
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