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Portrait Painting
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Message
Posted
I’ve been recording the Sky Arts programme Portrait Artist of the Year on Freeview channel 11. Although I’ve seen some of the episodes before (when I had a Now TV subscription), being very interested in portrait painting, I never tire of watching artists wrangling with the difficulty of trying to get a good likeness.
I wondered how I would fare in their shoes. Could I get a good likeness - probably not, though with a bit of squaring up like a lot of the artists do with their iPads, I’d be in with a chance, though squaring up to get a good likeness is not a sure thing.
In this painting I am having a go at painting Georgina Campbell, who has such a beautiful face. It’s certain that this will not end up up as a a realist piece of work, but I hope that I can get something of a likeness.
I am working with acrylics on acrylic canvas paper, a little bigger than A4. Started with a sap green wash, then sketched the initial outline with a long handled thin brush using burnt umber.
Careful study of my marks compared to the image on the screen showed I was going wrong in a few places at this stage. I think getting the shapes right early on can save a lot of work later, so in the second stage I’ve tried to correct the lines, by lengthening her head, strengthening the lines and using some background colour to push her head into shape.
I’ve left it there for now, her face still may be a little too full, but I’ll work on it. Here’s the screen still image:
Posted
Cautious about giving portrait advice, given the trouble I have with them; but fools rush in.....
Comparing your painted version to the photograph, the upper lip on the painting is less full than that in the photo. It nearly always is the mouth, where the real problems happen. You're nearly there, though.
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