Joe’s Jollopy

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Hang on Studio Wall
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Watercolour 24x32 cm of a old rusting car , I want the background to be there but not intrude on the car . Started it a few days ago taking my time as the paint is drying very quickly so doing it in short bursts . I do love these rusty old vehicles, a friend told me to change my name to Rusty as I paint it so often. It’s the colours and the textures that are so interesting to try and mimic in paint never sure if I can do it justice. If I has a bit of rust on my car I would have it removed asap , so not that big a fan . Initial sketch and first colours . 
Can’t beat a rusty old Model A :) Looking good so far, I’ll be interested to see how the muted background sits with the car.
Looking good Paul, nothing like painting the lovely rich colours of rust. Looking forward to seeing it finished.
Thank you Anth and Denise for you very kind comments. A updated version I’m quite a bit ahead of this but won’t post until I’m sure about it. 
Love your rusty old motors, Paul, this is looking good. 
Thanks Jenny moved on a stage since last posting . I’m quite happy with the background so far but will keep and eye on it and see how it develops as I go along. 

Edited
by Paul (Dixie) Dean

As always you capture the beauty of the colours of the rust Paul. I look forward to seeing the finished painting!
Love it Paul, the rust looks perfect!
Burnt Sienna - carefully applied, 'cause it's hot!, is a great colour to convey rust - add a little bit of viridian to darken it where it's starting to eat through; wonderful if you can capture these signs of decay in a painting, perhaps reserved for a small part of it of which only you might be aware, and can really enjoy!  You're going for it as your main subject here, of course: looking forward to seeing the finished article - though: I wish we could save these old rust-buckets before the fabric starts to disintegrate beyond recovery. Mind you, I feel much the same about myself - if only someone would apply a bit of WD-40 to my creaking joints before they seize up entirely, and pay a bit of attention to reviving my body-work.......
Thank you a Gillian , Anth and Robert for taking the time to look and comment. Like the sound of that mix Robert I have used it before but quit some time ago , must play around with it again asI’d almost forgotten how it good looks .
Restrain me here, someone!  But  you can also use Light red (though it's opaque), Venetian Red (also opaque), Indian Red (varies), Red Iron Oxide, Mars Red, modified by Viridian, Pthalo Green, Raw Sienna, Terre Verte - so many lovely ways of making rust, and then you can add Permanent Rose, Scarlet Lake, even Cad Red - coo!  A bit of Ultramarine or Cobalt; even a hint of Pthalo Blue or Cerulean....  Mind you: in your current painting, I would stick to those mixes you'd already chosen as suiting your purpose, rather than going orff like a mad thing with all of those mixes - do try 'em on a scrap of paper, though: the rich earthy tones are positively succulent.  Oh, and did I mention Mars Red, Brown Madder Alizarin, Mars Orange, Mars Violet.....?  Letting 'em bleed into each other in watercolour, or acrylic (a bit more difficult, I realize); blending them in oil or gouache - anyway, there's MY project for tomorrow. Sadly, have to attend a funeral first - I'll need something to take my mind away from that. 
Some excellent information in there Robert so d of the colours I do have and use , light red I use quite a lot in autumn colours.  I use both raw sienna and burnt sienna plus a lot of the browns . 
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