Failure , self worth and positivity

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I think we are try to express the feeling , emotions and experience of a place to others . It’s something I d thought for a while and is different to painting to please others where you paint what they want to see to please them , this is about painting what you want to share the image m feeling and hopefully the experience of the place . I’ve recently posed some work of s place I just love being in, physically and emotionally, the two I’ve completed have been better received thst I thought they possibly would be , I believe it’s because so much of my own feelings went into the work .  I hope this doesn’t come across airy fairy , pouring out emotions onto other , it’s actually difficult for me to explain but I’m sure some of you will get the point. Long winded way of saying paint what is close to you heart and invokes feeling in you , it quite invigorating and satisfying. 
Paul  (Dixie) Dean on 26/03/2025 15:03:58
I was having a conversation about emotional attachment and its effect on artwork. My art group leader was saying that we( his students) could be consistent in our output whatever the subject we tackle. Several of us disagreed but understand that basic shape, colour ,tonal values etc are the basics of a strong painting but emotion takes that further 
I think we are try to express the feeling , emotions and experience of a place to others . It’s something I d thought for a while and is different to painting to please others where you paint what they want to see to please them , this is about painting what you want to share the image m feeling and hopefully the experience of the place . I’ve recently posed some work of s place I just love being in, physically and emotionally, the two I’ve completed have been better received thst I thought they possibly would be , I believe it’s because so much of my own feelings went into the work .  I hope this doesn’t come across airy fairy , pouring out emotions onto other , it’s actually difficult for me to explain but I’m sure some of you will get the point. Long winded way of saying paint what is close to you heart and invokes feeling in you , it quite invigorating and satisfying. 
Paul  (Dixie) Dean on 26/03/2025 15:03:58
I was having a conversation about emotional attachment and its effect on artwork. My art group leader was saying that we( his students) could be consistent in our output whatever the subject we tackle. Several of us disagreed but understand that basic shape, colour ,tonal values etc are the basics of a strong painting but emotion takes that further 
Just to add, it’s the same five judges that have presided over this event for several years now. Haidee-Jo Summers disappeared from the panel a while back, leaving, in my opinion, the only true painter, that person being David Curtis, who I regard as a true professional - check out his website if you aren’t familiar with the name! He has written many excellent books also!
Alan Bickley on 26/03/2025 08:21:47
Just to add, it’s the same five judges that have presided over this event for several years now. Haidee-Jo Summers disappeared from the panel a while back, leaving, in my opinion, the only true painter, that person being David Curtis, who I regard as a true professional - check out his website if you aren’t familiar with the name! He has written many excellent books also!
Alan Bickley on 26/03/2025 08:21:47
Diana Boanas Swa ASGFA on 26/03/2025 16:00:01
I have a good idea as to the style of watercolour that is selected so it’s tempting to work within that style. Consistency and a stable style are seen as professional whereas I love to explore style .medium and technique appropriate to the subject. I read recently ( from a well k own art critic) that the sign of an amateur artist is someone who paint anything and everything in an inconsistent style. I’m not sure I agree with that at all. Surely versatility is to be valued 
A very interesting question Marjorie. Diana painted a deceased bird. The image was so delicately painted, it was a powerful image. I think it was called Hollow. I think we see an aspect of an image or even a thought that we want to preserve and therefore feel the need to paint that image or translate a thought into an image.
Denise Cat on 26/03/2025 14:51:45
Yes, Denise. It was probably the most powerful motivation to portray a subject I’ve ever had. It’s hard to describe the power of that emotion but it was definitely for myself. 
A very interesting question Marjorie. Diana painted a deceased bird. The image was so delicately painted, it was a powerful image. I think it was called Hollow. I think we see an aspect of an image or even a thought that we want to preserve and therefore feel the need to paint that image or translate a thought into an image.
Denise Cat on 26/03/2025 14:51:45
Diana Boanas Swa ASGFA on 26/03/2025 16:06:21
I disagree with the critic Diana. For example, if we only learned are times tables at school and never ventured into the learning of percentages or equation, life around us would be pretty limited. Consistency in quality is important for sure. Some artists and master artists had many changes in their style of painting during their careers. Take Picasso, if he had taken any notice of such statements he would have carried on painting traditional portraits. He knew his own mind and went along with it.
The old saying of variety is the spice of life has some truth in art , Robert often mentions Bob Ross and how he only painted the same things over and over and he made the point that you never develop beyond painting those scenes . A lot of what we decided to paint is based on our moods , what’s motivating us at that particular time, how much time we have and a lot of other factors, I love paining old ships but would get bored very soon as they are all similar to each other . The challenge the gives us a buzz when we paint something we really want to cannot be sustained over and over on the same subject , well that’s my thoughts anyway.  Varying what we paint stimulates us and encourages use to do more and different things, despite the fact that we have thing we favour.
I disagree with the critic Diana. For example, if we only learned are times tables at school and never ventured into the learning of percentages or equation, life around us would be pretty limited. Consistency in quality is important for sure. Some artists and master artists had many changes in their style of painting during their careers. Take Picasso, if he had taken any notice of such statements he would have carried on painting traditional portraits. He knew his own mind and went along with it.
Denise Cat on 26/03/2025 16:23:59
Re Picasso and Mondrian, even Van Gogh and many more…their paintings were a progression as opposed to painting in a different style each time. You do see painters who haven’t “ settled” on a style, who haven’t yet found their own voice. It takes time doesn’t it before painting or drawing in a certain way comes naturally. I suppose that comes with an amount of confidence. Having said that, I still feel that we continue to change whether we realise it or not. Just look back at your earlier work and it’s clear to see, hopefully a good progression! ( I’m also agreeing with Denise here)

Edited
by Marjorie Firth

I disagree with the critic Diana. For example, if we only learned are times tables at school and never ventured into the learning of percentages or equation, life around us would be pretty limited. Consistency in quality is important for sure. Some artists and master artists had many changes in their style of painting during their careers. Take Picasso, if he had taken any notice of such statements he would have carried on painting traditional portraits. He knew his own mind and went along with it.
Denise Cat on 26/03/2025 16:23:59
Re Picasso and Mondrian, even Van Gogh and many more…their paintings were a progression as opposed to painting in a different style each time. You do see painters who haven’t “ settled” on a style, who haven’t yet found their own voice. It takes time doesn’t it before painting or drawing in a certain way comes naturally. I suppose that comes with an amount of confidence. Having said that, I still feel that we continue to change whether we realise it or not. Just look back at your earlier work and it’s clear to see, hopefully a good progression! ( I’m also agreeing with Denise here)
Marjorie Firth on 26/03/2025 18:14:58
I agree entirely. A body of work ( as required for society application) is a small collection of very similar works   Showing consistency of style, colour,subject technique. Having seen these collections on candidates displays , it’s a variation of one piece. I’m sure there must be a reason why this is requested. If only to instantly recognise the artist 
Body of work...poets often say their poems are never completed - just abandoned.  That would be my body of work - unfinished and to be returned to. 😉
It does me good to belong to two art groups because I often get nudged politely into painting things I would never normally consider. I may not enjoy it as much but it's made me a better artist and I console myself with the thought that I can do another train next! 
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