Egg tempera...experimental directions

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Here's a medium few people talk about, but I've recently bought some Sennelier egg tempera (tubes)to try out (from Jacksons, as it happens). Now here's the question....despite the fact that most tempera guidelines advise using traditionally prepared gesso boards (and I' m about to test out Ampersand claybord, which is a little different), I've come across a number of videos where the artist is using it on canvas, seemingly not specially prepared in any way to receive the paint on it. In addition, an older publication of The Artist revealed an article by Ian Sidaway, who was trying out a home-made version of egg tempera on gelatin-treated hotpressed paper.  Therefore, how stable is egg tempera likely to be on canvas, since it has a tendency to flex? As does paper? I'm planning to work very small paintings (say, less than eight inches/20cm), so more likely to go for the paper.....but what's the technical viewpoint on these approaches?
This section is called 'Ask Jacksons'and Christine's query was posted 7 days ago. So where is the reply??
Trevor I don’t think this is ask Jackson’s. This is the Forum ...as we are all like you members of the forum it very possible either no one knows...I don’t, or it’s not been seen by anyone.  Maybe you could answer Christine.  That’s how the forum works. 
It was originally an Ask Jackson’s thread, but I’m not entirely sure if that’s still running!  I’ve got a feeling that it may not be, but it was quite helpful. Dawn will no doubt enlighten us on this matter.

Edited
by Alan Bickley

Hi Christine,  I have limited experience of using egg Tempera (one of my works can be seen in my gallery), and have done a lot of research on the subject with a view to doing more. The general view is that egg Tempera does not adhere well to modern acrylic gesso and should not be used as a base.  Traditionally one would use a rabbit skin glue based gesso on wooden boards, however the Ampersand claybord claims to be a good choice , I have one but am yet to try it.  I have successfully used heavy weight cartridge paper but always make sure it is taped down flat and try not to bend it too much when your work is finished.  Canvas should NOT be used unless pinned or glued to a wooden panel and prepared with a suitable base. As I say, my experience is limited and most of the research I have read is quite old.  A good source of information which tries to bring tempera painting Into the modern era is “New techniques in egg Tempera “ by Robert Vickrey although this was written in the 1970’s Good luck with your efforts Alan Morris.
I'm not sure where we are with the AskJacksons questions now - this was being handled by the ad team. I will see if I can find out and let you know. In the meantime here's a link to an egg tempera demonstration by Robin-Lee Hall which may be of interest https://www.painters-online.co.uk/tips-techniques/egg-tempera/articles/how-to-paint-a-portrait-using-egg-tempera-by-robin-lee-hall/
This magazine feature has now come to an end I'm afraid, so there won't be any more answers from Jackson's and this area will now be locked.