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Sir Alfred Munnings
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Posted
I do like his horses but not all , he obviously painted the greatest horses around at the time . Even the cavalry mounts are excellent horses and in prime condition, I’m looking to see a couple of cart horses or a poor old nag among them.
As Alan said horses are not the easiest of subjects to draw or paint. As to the man himself , if we dismissed his artistic talent because of his attitude, behaviour we are the one that would loose out as it would if we applied it to any artist .
I don’t like the milkman’s beard and he swears at his kids , better cancel the milk it might not be that fresh is what would be happening next.
Posted
I see the site is having one of its fun days, duplicating posts! I agree with you all, and disagreed with my landlady - she couldn't get over his "bigoted" views; and he was President of the Royal Academy at the time (succeeded shortly after this demonstration by Sir Gerald Kelly, a far more tolerant man who defused the controversy over Spencer, and stopped him from being charged). Munnings could paint - and indeed sculpt, which he learned just by doing it; but you perhaps did need to be besotted by horses to fully appreciate him - and while there has been the occasional horse with whom I've got on very well, I don't find them especially interesting as subjects - other than in the challenge they pose to anyone attempting to draw and paint them.
Munnings would not be the only outwardly coarse, loud, opinionated, and occasionally sozzled man - he was drunk when he made one of his comments on Picasso, captured on air - to have a deeply sensitive, gentler side tucked away, revealed by his actual work. He would have been a gift to radical students of his day - a wonderful hate figure for them, almost fashioned to their purpose. As always - nuance gets lost when extreme views are being exchanged: something else that isn't exactly new - and remains true today.
Posted
I do admire his work and he's far from the worst of 'dodgy' artists. Horses are beautiful creatures and difficult to draw and paint. Clearly he's a master with these animals. He did paint other subjects. Here's Gala Day...
...Susan at the fair...
...but horses in some form seem to be his mainstay. Here's one I like. Suffolk Horse Fair.
Posted
I do wish he'd moved on beyond horses! But he was clearly a fine figure painter - it's really quite a pity that we know so much about him; keep it quiet! Trouble is, the intake of booze does tend to let it all out.
Plainly, he wasn't always well-oiled: some of his paintings are beautifully observed; but I can't get beyond that television broadcast of so many years ago, when, in praising Churchill, he did rather slurp out his alcoholically enabled prejudices.
And yet - I know of a very highly admired US painter (admired not least by me) who believes that Picasso sent the art world on a wholly wrong path; and I CAN see the sense of that, since Picasso did break a mould and sent us off along a very different route. The idea/theory isn't exactly wrong, just not generally accepted. Munnings was not wrong - in my opinion - he just had a different perception. Does it matter that he drank like a thirsty fish? Well, no - provided he wasn't sluicing the stuff back by the litre when he expressed his opinions.
Posted
I found this painting and sketch of a friend which I quite like. The horse painting is more relaxed than most of his presumably commissioned pieces, and the sketch is of a friend in Paris, obviously capturing the moment!
I’d have to say like Tony, I’m not excited or moved by the main body of his work, while I realise that he was largely a war artist and expected to paint this kind of subject matter. I didn’t know anything of his personal life or views, but could sympathise if he was unimpressed by Picasso!
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