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Inspiration from Favourite Artists Week 5. Glynn Macey and Neil Pinkett.
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Message
Posted
Welcome to week five, the artist for this week are Glynn Macey chosen by Ellen
and Neil Pinkett chosen by Alan Morris . If you would start the ball rolling Ellen and if you would add your painting on Wednesday lunch time Morris .
Thank you both for your suggestions, hope you all enjoy these two artists.
Posted
As Ellen hasn’t posted anything as yet I thought I would get the ball rolling and hope I haven’t chosen any she wanted to post.
It’s a random select I think reflecting his work , I did have to include a boat painting but then I would as boats are my thing.
I do like his use of bright colours, something I’m a bit timid of doing myself and I admire the looseness of his work , I would like to be able to do more loose paintings.






Posted
You won't believe this Ellen, I actually have his book, Acrylics Unleashed, I ordered it off the site a while back. I recognised the style of the paintings put up by you and Paul and thought, I've seen some of those before and there is the book, right in front of me, Glyn Macey. What attracted me to the book in the first place, was the bright colours and abstract shapes in his land and seascapes. The book is just wonderful. It also has some exercises in it that, I mean to do at some point. It's on my list. A wonderful artist, I like all of his work.
Posted
I had one of those nights last night awake more than asleep, spent a lot of time looking at this weeks two artist. I can’t say l like all of it but there are some superb paintings among all their work , but then it would be odd to like everything that’s painted .
I also found a few more for the list but would welcome suggested artist for you kind folk.
Posted
I find the work of Neil Pinkett very inspirational, for me his paintings just shimmer with light and atmosphere. Born in the far wast of Cornwall he gave up a successful career as an illustrator in London and Bristol to paint professionally (primarily) the Cornish landscape. I find it incredibly that he is able to capture the light of Cornwall with a very limited pallet of just student quality Cobalt Blue, plus a more expensive Cobalt Blue, Alizarin Crimson, Cadmium Yellow and White. He works primarily with a painting knife, there are at least 3 YouTube video online that show his working methods. I’m not sure I’m allowed to add links to them here.


Edited
by Alan Morris
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