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inspiration from Artists Week 35 , Peder Mork Monsted and Richard Thorn.
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Posted
He might have used white gouache in places, rather than masking. He certainly uses splatter techniques - and effectively. But I just wish bloody silly people, too often in art colleges, wouldn't encourage painters to say bloody silly things - not a word of that statement on his website makes so much as an iota of sense - if you can't write decent blurb, give up on it: don't try; let your work speak for yourself, as Thorn's can so readily do.
Let us in on some of your methods - I can see some of them myself, but would be interested to know and explore them further: but don't insult others or yourself with nonsense verbiage, especially when you can't even spell it!
I hope I haven't spoiled the party - he's a superb painter; but for God's sake spare us this fatuous waffle.
Posted
There's some splendidly filthy stuff from Beardsley - I dare you to show some of it! See Oscar Wilde's Salome ....
Back to Thorn for a second - the harbour picture, the penultimate posting: it's brilliant, and there's no other word for it: his pictorial judgement is just about perfect (the swine!) - Ken Howard, who specialized in painting light in all its forms, would have been impressed.
Posted
There's some splendidly filthy stuff from Beardsley - I dare you to show some of it! See Oscar Wilde's Salome .... Back to Thorn for a second - the harbour picture, the penultimate posting: it's brilliant, and there's no other word for it: his pictorial judgement is just about perfect (the swine!) - Ken Howard, who specialized in painting light in all its forms, would have been impressed.Or indeed, the story of Lysistrata...