Tony Hogan shares the unique experience of painting in hard to reach areas, with a focus on safety, gear and top tips. 

Whether you are painting with an organised group or heading off on your own, there are some top tips you should consider. I have developed these tactics over the years to make less accessible places more... accessible. 

The carrying of all your equipment for a day of plein-air painting is a challenge in itself. If you don’t have the strength or desire for a long hike carrying your load, this can be restrictive.

I tend to cycle! With a little initiative, you can fasten your easel to the crossbars and carry a rucksack on your back. You now have access to a host of wonderful locations that were previously out of reach. If you feel unsafe carrying your equipment in this way, it might be worth buying or hiring a trailer. 

What art materials and equipment should I take?

What you take with you will depend on what you hope to achieve on the day. The time available and whether you are planning on painting in one or more locations, will also affect your choices. 

Limited time: I will set off on my bike with just a hard-backed, ring bound sketchbook. I will also take pens, graphite pencils and possibly a few Inktense pencils to add colour. 

On the move painting: In my trailer I will take my sketching case (with more varied equipment than my ‘limited time’ set). I might also add a few pastel pencils, Inktense blocks and pencils. Perhaps some coloured line painters and a few brushes... sharpeners, erasers and a sketchbook.

Depending on the day I may also take a canvas or two and a suitable board. Of course, having a tailer also allows for such luxuries as seating and food and drinks! 

Fully charged mobile: Great for taking pictures for back in the studio and essential in case of an emergency. I have also previously made use of the compass app. Not necessarily for finding my way, more to give me an idea of where the sun might move to during the day. Also, the weather app giving an hourly update on any impending showers that might be heading my way! 

Suitable clothing: Sun cream, a wide brimmed hat and waterproof clothing (especially if you are in the UK). A warm top (just in case) for the warmer months will also come in handy. The hat is not just to protect your head it also allows you to paint without sunglasses. Painting without sunglasses gives you a much more realistic representation of the view and colours.

For those of you hardy enough to face the colder months it might be worth investing in a full set of thermals. An extra layer of fleece clothing and maybe even a ski suit, depending on the forecast! And don’t forget suitable footwear... I can guarantee won’t paint your best with wet feet! 

Build your perfect painting getaway: Head to our Ultimate Guide to Painting Holidays and explore every tip and technique in one comprehensive hub.

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Tony Hogan is an artist, tutor and demonstrator. He leads art holiday breaks in Cornwall and Scarborough. Visit www.hoganart.co.uk to learn more.