On the way home

I like the way all the buildings seem to lean together and point towards the figures and light .... I think you might have added to the sense of intrigue if the figures had been slightly more delicately painted (smaller heads, less 'worked' bodies) but it works as it is - and if the perspective isn't geometrically perfect, it doesn't matter - in fact, it adds to the quirky feel of your painting: you don't want to do these things with rulers and set-squares, after all.