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Painting big!
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Posted
The head could probably carry the painting if you introduced some tonal differences in all that yellow - certainly, indicating the hands would do that, and I like a portrait with hands, and not just a head and shoulders job (though I'm just working on one now which is all head and shoulders, largely because I want to finish it and get it to its eager customer before Christmas - self, self, self, eh...?).
Folds in the cloth, more modelling to show the proportions of the body - to a degree at least - would also help; I was about to say 'add a pocket square', but he doesn't look the pocket square type, and anyway I think you'd want a bit more than that. Whatever you end up doing, the painting already has presence - you've broken the back of it, to coin a phrase.
You said earlier on, I think, that you planned to glaze oil paint over the acrylic - have you done that yet, and do you think you really need to?
Posted
Thank you George and Sylvia. You obviously have more faith than I do. It is about life size, which is creating its own problems. I gave up the original idea of painting full length - too hard for little me. I ended up getting a canvas board from the Range for a tenner, a lot better than £300 for the fine linen. However,The board is bending/curling making it concave. Consequently I am using tablecloth clips to attach it to a stiffer board underneath.
I am still aiming to use oil paint for the top layer. In doing so I can correct the skin tone, which looks a bit too cool. Not that photos are that accurate.
Robert and .Carol, you definitely right, so I think I need to take another photo to work from with more shadows and maybe a prop or child for him to hold.
