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Hang on Studio Wall
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Your painting has come along very nicely, Linda.
Thank you Carol.  Still lots to do though.  I am still on the acrylic underpainting stage and even some drawing to do, before starting on the oil paint layers.
Little progress, I am afraid due to poor weather and the flu (yet again).  But we had sunshine today so I made a little progress.  I am in a quandary over the yellow suit and composition.  There seems to be a lot of yellow and not much going on within it.  I am tempted to get his hands involved.
Looking very good Linda. You are very brave painting that size!
Oh wow…Linda.  You got it girl.
The head could probably carry the painting if you introduced some tonal differences in all that yellow - certainly, indicating the hands would do that, and I like a portrait with hands, and not just a head and shoulders job (though I'm just working on one now which is all head and shoulders, largely because I want to finish it and get it to its eager customer before Christmas - self, self, self, eh...?).   Folds in the cloth, more modelling to show the proportions of the body - to a degree at least - would also help; I was about to say 'add a pocket square', but he doesn't look the pocket square type, and anyway I think you'd want a bit more than that.  Whatever you end up doing, the painting already has presence - you've broken the back of it, to coin a phrase.   You said earlier on, I think, that you planned to glaze oil paint over the acrylic - have you done that yet, and do you think you really need to?  
This has come a a fair bit, Linda. Lovely work. If your not too sure about all that yellow, print a monochromatic picture of the colour version, this might help with the subtle shadow areas of the jacket.
Thank you George and Sylvia.  You obviously have more faith than I do.  It is about life size, which is creating its own problems.  I gave up the original idea of painting full length - too hard for little me.  I ended up getting a canvas board from the Range for a tenner, a lot better than £300 for the fine linen.  However,The board is bending/curling making it concave.  Consequently I am using tablecloth clips to attach it to a stiffer board underneath.      I am still aiming to use oil paint for the top layer.  In doing so I can correct the skin tone, which looks a bit too cool.  Not that photos are that accurate.      Robert and .Carol, you definitely right, so I think I need to take another photo to work from with more shadows and maybe a prop or child for him to hold.
It's coming along Linda. My thoughts on breaking the yellow up a bit might be a bag with the strap running across the chest or an umbrella under the arm, showing a decorative handle. Just a thought.
Didn’t he have braids Linda? It’s looking very good.
Yes he does have braids, Marjorie, but I thought it would be easier to paint them over the top of the jacket.
Very impressive so far Linda, I look forward to watching your progress.
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