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Old fish dock ( working title ).
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Message
Posted
A watercolour eventually of a old style wooden fishing boat dockside unloading its catch , I inspired by my love of boats and I wanted to do something complex fir a change and a challenge. I won’t include every plank in the boats hull there for my guidance , added some masking fluid to keep areas white and started with the darker interior of the shed. I do like to start with the shadow areas sometimes as it enables me to see the rigging and masts etc more clearly.






Posted
Completed some base colours and a start on the basic detail, it’s got that ugly look about at a screaming do something with me for goodness sake . It’s around this stage that I look and think oh hell what am I doing here, but then suddenly it seems to come together.





Edited
by Paul (Dixie) Dean
Posted
I on,y used it to try out the fine pen , to be honest I think it’s created more work as I will have to blend in the lines and get them to look like metal inserts. It’s ok for when I want light foliage grass etc over a dark area but I will do it the old way and paint around the white areas etc. I think it had a use as said but definitely not for precision work it was also a bit of a pig to get off after a couple of days , if we don’t try we don’t learn .
Posted
True (if we don't try, etc). Yeah, I don't think masking fluid really helps with fine detail, because when you take it off (if it'll COME off!) it leaves hard lines which you then have to soften; so - you might have been just as well off taking a stab at them without worrying about precision. That's one reason why I hate the stuff, and the other reason is the pair of corduroy trousers I ruined when I spilt it on them.
I also think you can always tell when masking has been used - and why not, it's not cheating; but I don't like the look it gives to work - reserving your whites just by leaving the paper unpainted IS a fag, but it just looks better when you do: plus, a tiny bit of white, or opaque paint like Light Red or Naples Yellow, can help a lot with those areas you inevitably paint into but hadn't intended to.
Posted
Dixie me boy - I should think we're all the same: not only do I see the mistakes, I tend (unless I give myself a good talking to) to worry away at them: and what does that do? It makes 'em worse. Good idea to stop - clean the palette, wash out your brushes, walk away before you get tired and irritable, and come back to it later. That seems to be true across all media.
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