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Mixed media scares me!
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Posted
I did my first mixed media painting recently and was fairly pleased about the way it turned out (posted on POL). I thought that I would have a go at another one, but the thought does scare me a little, as I have no idea what I’m doing or how it is going to turn out.
I think I have already made a mistake with my choice of paper, as it is smooth Bristol board and I’ve started with acrylic with the intention of using coloured pencils on top. The previous work done in similar fashion, but on Pastelmat paper, where the pencils take readily. On this smooth paper though, this doesn’t appear to to work so well. This leaves me in something of a predicament on what to do next.
Here’s the sketch and progress at the fist stage of applying colour.
The subject is York Minster, viewing from the wall.
The subject is York Minster, viewing from the wall.
Posted
Looking good Frank. Mixed media is loosely described, I'm remember reading somewhere that pen and wash is mixed media. Not that it matters a jot. I've tried watercolour, pen, gouache and ink...so far not acrylic or collage. I had the same result on Bristol Board...love it for pencil or pen...won't use it for mixed media again.
Be interesting to see where you go with this.
Posted
I paint quite a bit in mixed media, Frank. I use collage, bits and pieces of ‘stuff’ like orange bag netting, pieces of cut up paper etc. I also use mediums like pumice gel and fibre gel. I also use crayon, charcoal and markers, oil pastel plus drawing pen.
I paint in acrylics, but if I’m using mediums I add those first, then paint over them for added texture. I use the markers, crayons and drawing pen afterwards.
Hope this gives you some ideas.
Posted
Bristol board is very smooth, of course - fine for watercolour botanical studies, not so great for other subjects.
Maybe try Ampersand boards - very smooth, but more absorbent: although, I find them better for oils than for, e.g., acrylics. Frank - I don't really do much in mixed-media, but - I think if I did I'd use rough watercolour paper or pastel paper; or a strongly textured canvas (if you can find it: I've had real difficulties in locating a toothy canvas, in board or stretched on a frame).
Anyway - to the point! I think you'd have been a lot happier with either a well-sized watercolour paper, or a stout pastel paper, in beginning your work: you need that much tooth to start with, or you're always fighting the lack of it. Mixed media can mean so much, though - it can include collage, which I don't do; it can include acrylic, chalk, pastel, ink - to great effect. It's got to have a robust surface to tolerate all that, though - cartridge can take more than you might think, but a good watercolour paper can take so much more - and a rough one is likely better than a smooth surface.
Looking forward to seeing where you go from here, but the only hint I'd give is - do have a robust surface to start with: for so many reasons.
Posted
I’ve worked some coloured pencil and fine Posca pens into the painting now. Unfortunately, due to the error with smooth paper, only dark colours have any effect over the Acrylic. The Posca pens work well and are excellent for fine detail. Think I will have to go back in again with acrylic before doing anything else. I won’t give up on this just yet, though I have other work that needs attention.


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