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Brusho
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Posted
I remember powdered paint and the patty tins - I think the smell came not so much from the pigments, though some of it may have done, as from the stagnant water when the stuff was reactivated. It was fun, though - I had a friend who became a very considerable artist in later life, who could do anything with any paint on any surface. He wetted the sugar paper, and applied strong colour just in time, before everything got sucked into it.... I can see his work now, and couldn't even begin to compete with it.
He died tragically, and tragically young: I often wonder what he could have achieved if he'd lived. Of course, these particular paintings would have faded in time to nothing at all, but those were the materials he had, and he made full use of them - just taking pleasure in playing with the paint; and that, basically, is what Brusho is good for.
I also remember making papier maché, and painting it - don't remember what we used for that.... don't think it was poster paint, but it may have been. We are talking some 50 plus years ago. I made a head that closely resembled Davos from Doctor Who - before my time, because he hadn't been invented then. A frightful thing it was too - gave me nightmares...
http://www.isleofwightlandscapes.net
http://www.wightpaint.blogspot.co.uk
Posted
Thank you for the good advice all. I do use a liberal amount of Brusho, so much it comes off the paper like salt afterwards, so I'm not overly worried about fading.
Sylvia, (et al), can I ask, can or do you use candle wax for your wax resist or do you buy special wax crayons for the job? I'm tempted by a broken up opaque candlestick......
Hope you've always had a lovely Christmas and all the best for the New Year by the way :) x
Posted
Syd, yes I've just bought some of these wax resist sticks but haven't tried them out yet.
Robert, talking about papier mache, I have in the past made a number of things out of it. This is an owl I made last year for a competition; I painted him with acrylic, I didn't win any prizes but enjoyed doing it none-the-less.


Posted
After telling my friend about the problem with lightfastness of Brusho I tried to investigate the pigments in them and their ratings but, like Robert, couldn't fine anything at all. If Colorcraft are so sure their product is lightfast why not list the pigments on their pots, after all the well known "artist quality" manufacturers of watercolour, W&N, Holbein and many more are happy to do so plus their ratings on possible fading. If they want their product to be used by serious artists hoping to sell their work then why not list them.
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