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To easel or not to easel?
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Message
Posted
Hi there, in the past i have tended to paint buy laying the board or canvas on a flat surface (i have a piece of wood i use) on my lap that i then shift around when i need to work at slightly different angles. I am vaguely thinking of investing in an easel and I was just interested in what people thought of them in terms of pros and cons, and what you use (if you don't use an easel).
Thanks
Lucy
Posted
I used to have an easel years ago when I dabbled with oil painting but it has long since gone. As I now paint watercolours I would rather paint flat or slanted with a piece of wood which suits me best. Like Ellen, I have a space problem and use my dining room table which only gets cleared if we have guests!! In fact the other day I cleared up so as to clean the table (the other half of the table was really dusty 😁......) and my hubby asked if I'd given up painting, he was only joking of course.
Posted
I've got two easels, one a sketching easel of rather considerable vintage which I use for oils and acrylics, a table easel for when I have to do detailed work or just need to sit down, which I quite often do, and when painting in watercolour I've got a sturdy bit of plywood which sits on the table propped up at around a 30 degree angle. I read a book years ago and being a dutiful lad took its advice, which was to stand up to the easel so you can employ the full range of movement from the shoulder ..... something of a counsel of perfection now I've got arthritis in my shoulders and everywhere else, and I've discovered that sitting down is really no more limiting than standing up and being in pain.
So - is an easel essential? In my opinion, for oils and acrylics, it probably is; for watercolour not, at least not in the studio or humble flat ... if you like watercolouring to any size in the great outdoors, though, you'd be struggling to hold a watercolour pad and your brush; I suppose you could always strap it to the back of your loyal sherpa, but you probably do need a lightweight easel you can easily (easelly? Oh what a wit....! I think "wit" is the word, or one that sounds similar) carry. And a camping stool; and preferably someone to help you tote the rest of the gear....
Posted
What it really comes down to is what you are comfortable with. I have tried doing watercolour as Robert does which is supposed to be the correct position to use but I find that position very uncomfortable for me as I am short and even with my chair wound up to the highest position, I feel that I am stretching myself over the board. In actual fact I am now doing needlefelting which is normally worked on a foam pad flat on the table and as I can't get on with that position, I have propped the pad up on my easel and am using it in a position normally suited only for painting. For me, this is really comfortable.
Posted
All the above are great tips Lucy, and you are sure to find something to suit you and your budget. As to the lighting, I would decide on the best room to work in and invest in a daylight bulb for the ceiling and one for a desk lamp and then you have got constant good lighting. Good luck with it all and happy painting.
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