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Step by Step Articles
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Message
Posted
I’ve just been looking through a few recent back editions of the Artist and the Leisure Painter. In particular I was interested in the step by step articles on how to paint various subjects. As an aside they don’t appear to have changed much, if at all, over the past umpteen years since I first took the read the magazines as a much younger aspiring artist.
Anyway, that said, the articles show the different stages of a painting and I found, in many cases, the earlier stages to be so much more interesting than the final overworked version. Such a shame and I wonder why artists are so concerned with fiddly detail – what my granddaughter refers to as Pensioners Art. Am I alone or are there others out there who agree?
Posted
Pensioners art...just brilliant, I know exactly what she means this made me laugh. I’m arrogant enough not to read any How to do it articles so I retain my will to live.
I’m always the one on an art holiday who skips the instructions and watching how it’s done and goes off to do my own thing. I love the company of other artists and it’s great to be able to ask if you want to do. But I like my own thoughts and workings out.
Posted
I'd rather watch a tutorial on Youtube. Step-by-step articles suffer from two main problems which turn me off in nanoseconds.
Problem 1 - this from page 27 of The Artist, October 2019 as it's open on the table - "Details were added and darker paint was added again..." Why write about yourself and your process in the third person? It makes it sound like you haven't written it yourself. I'd far rather read "I added details and darker paint again ..."
Problem 2 - a large proportion of step-by-step articles fall over here:
How to draw a portrait of Donald Trump
1 - Draw Donald Trump's head
2 - Put the facial features in the right place
3 - Make it look like Donald Trump
Video allows you to see how things are done. Youtube is a superb resource.
Posted
They can be useful to many amateur (in the main) artists, obviously they’re not for everyone.
That’s the reason that we see so many stage demonstrations in all the art magazines. Over the years I’ve done dozens of such demos for Dawn, and received excellent feedback.
Yes, they need to be kept relatively short in stages, I generally work with an introduction and four stages. I’ve just completed a short three stage WIP demo which will be featured in a supplement in TA and LP editions shortly.
I wouldn’t like to think that I was wasting my time!
To come on to the point that Michael made, yes I do agree that it’s often the case of overworking a painting. It’s that dreaded detail again, I have to make a real conscious effort to avoid it, but not always succeeding!
Posted
Awe Alan please don’t feel you are being castigated you are not. So many people enjoy and profit by them. Most of us posting here on the forum are fairly experienced and do our own thing, pretty obvious by the comments. I think Tessa comment re using a new material and wanting to know how is very relevant. 🌻
Posted
Not a fan of step by step demonstration and instruction, I tried it years ago and got thoroughly frustrated with it. Much prefer to watch a demonstration or DVD of an artist I admire and learn from that. I find with DVDs that however many times one watches them one still picks up tips that were missed in previous viewings, and also realise one has forgotten tips previously learned!
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