Fiction versus fact when painting

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Hang on Studio Wall
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I find that when I try to paint fiction I.e. a scene that exists only in my.mind I end up doing far worse than when I try to paint a real scene. Is this a beginners thing or a general thing ? Am I alone in this? D
A general thing in my case David. I need to be able to see what I am painting. Though you could use references for different elements of a picture . Saying that if it's a subject I know well and have done it before I can do it from my head. But usually no.
Certainly not a beginners thing - we all (well most of us) need a reference point to start from even if we do adjust it and play around with it as we go along. It doesn't apply so much to abstracts although I do have a general idea of where I'm heading when I start out - even though I do often end up in a totally different direction.
David ,I paint a lot of pictures using my memory and imagination and it is not so easy as doing them without a reference such as a photo you have taken somewhere. I am past the stage of romping in the countryside and hence the above . In a photo you can generally see the light source and the various shadows , cloud shadows, cast shadows which all go to describe the subject . However , when you have no reference you must establish a light source and where the light is falling and all the shadow areas and changes of tone and colour not to mention perspective.If all this rings a bell for you ,as Sylvia says , use areference where possible and you cut out a lot of the brainwork required without a reference, such as a photo which is only a guide (and not a copy) to a successful painting ......Syd
Not having a reference or, preferably, the scene or subject matter in front of you makes life harder no matter how much experience one has.
An artist needs talent, a good visual memory and years of practice to create convinving paintings or drawings from memory. I can't . Another problem I have is that if I use my detailed sketches to do further drawings or paintings, the results aren't very good. To me it's a tedious way of working. I'd much rather paint from the real subject. Even painting from a photo is better than painting from one of my sketches.

Edited
by keora

I often work from sketches (usually with colour notes and comments) supplemented by photographs and find that OK but nothing beats painting from life. Working from a photograph alone I find difficult as the photograph usually distorts and does not give all the information required.