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Inspiration From Artists Wk176 Featuring Artist: Jim Musil and Norman Cornish
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Posted
I did check back Tessa and can’t find anything regarding his work unless it was on one of the special weeks and I forgot to record it . We have had similar artists to this on occasion, Marjorie I will look at Tom McGuinness , and if we haven’t included him before I will us him as a bonus artist this weekend.
Posted
That’s great Paul if you can feature Tom. Look under Tom McGuinness art and he will come up. If anyone fancies a nostalgic look into the past, the BBC video is very interesting. Around the year 2000 our art group visited his studio in Bishop Auckland, which is where I bought my print. And what a lovely man he was.
Posted
This one could almost be a scene from my early childhood in the north east during the fifties. The Rag and Bone man had a horse and cart of course, but coal was delivered by horse and cart, and even the ice-cream man's van was pulled by a horse. Where my Nana lived the street was cobbles and there was still a man who went round on a bicycle with a long pole, lighting the gas lamps.
Posted
I’m having a lot of pleasure from featuring Norman Cornish , it’s a trip down memory lane as in the fifties and sixties I visited my grandparents in Leeds , the scenery is so much like it was then. I’m also enjoying you good folk enjoying the work and of course remembering similar times, make the effort of researching and posting so worthwhile , thank you for sharing your memories . I’m reminded that whilst in the sixties and seventies the streets and houses shown were call slums , unfit to live in extra , but all that happened was lest sturdy slums were created. People who live in the so called slums took pride in there home , cleaning the steps, washing the windows, and always washing out to dry , PRIDE in what little they had , nosey as hell sometimes but willing to help a neighbour in need .
A few more before I become a sentimental wrench , dribbling nostalgia.














Posted
Great collection of paintings: AND he signed them legibly - no doubt thinking of us, as we struggle to distinguish fantastically elaborate signatures when people ask us about something they've retrieved from Auntie Vera's attic. Those semi-caricatures - they're brilliant; they remind me of so many people from a now largely disappeared generation.

All good, I prefer the first one.
At times, there was a caricature look to some of his portraits. Like the one on the right. (I like it).
A fine artist...


