Inspiration from Artists Wk 186 Featuring Artists : Bill Carmen and Bernard Gribble.

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Welcome too this weeks thread , the featuring artists are : Bill Carmen and Bernard Gribble.  Lew will start off the week with his introduction to Bill Carmen  on Wednesday I will introduce you to Bernard Gribble .  Hope you will join us and find the artwork interesting.
Bill Carman is a contemporary American artist who has worked as an art director, designer and illustrator for many universities, ad agencies, publishers and large corporations.  His work can be found on books, both children's and adults, on posters, and CD covers.  His art is represented in fine art galleries in New York and Los Angeles.  He's constantly at work, his working week is between 60 and 80 hours.  He uses a variety of mediums, his gallery paintings are in acrylic.  He likes to use different surfaces for his art...canvas, wood, copper and other metals.  He's an advocate of sketchbooks and is constantly doing something art-wise.  Bill's art has a distinctive surreal edge to it, and is known worldwide. He says this is the painting that first got him noticed... More examples... He likes to paint miniatures, here are some of his 6 x 4 inch images (Halloween themed)... The painting below is on a small tin box.  The boxes, called Altoid tins, are meant for mint sweets, but  can be purchased blank.  To my surprise they are popular with some miniature painters. From  his sketchbooks... For an Alice in Wonderland themed exhibition...  Examples of his working method... I find his work unique, wonderfully imaginative and inspiring.
Curiouser and curiouser! An amazing and imaginative selection of work and a fascinating intro Lew. Such detail and content needs a lot of looking at! Thank you, another very different artist.
Hadn’t heard of him before, what an amazing artist!  Love the surreal feel to his work.   Will take a further look.
Hello I’m trying guess I know I know I’ve always been very trying. I can’t coordinate my thoughts my fingers my eyes but I do have a look at every now and again just nice to see roughly what you are all up to okay and thank you again for keeping in touch with me everybody who has it’s kind of you Me and painting seem to have parted company. I can’t do detail. This is a bugger really oh dear was a moderators get shot with me now for saying that will pop in again as and when I can Sylvia 
Nice to se your post Sylvia . 
Lovely to have you back Sylvia.  It’s immensely frustrating for you.  It’ll be great if you can pop in anywhere when you feel able.  You are valued by your friends here on POL.

Edited
by Lewis Cooper

As a little aside to this thread, I'm posting one our pal Sylvia's pictures that I have on my POL wall.  It's called 'bottoms up', as you'd expect from Sylvia.  She saw this lady in a charity shop and drew her from memory when  she got home... ...It's crammed full of  character, bulging with life, and makes me smile when I look at it...which is why I put it on my POL wall. Just great that she was able to pop in.
Back to Bill  Carman.  As I mentioned earlier, he sometimes is invited to submit work when galleries have themed exhibitions.  One such was a tribute to the great illustrator Maurice Sendak.  The next  two pics are his tributes... Here's another miniature painted on one of those small tins.  They intrigue me...I'd love to have one.
Once again Lew you have hit double tops , superb artwork thank you for introducing him. 
Some more of Bill Carman's surreal illustrations... The last of these is entitled 'Medieval Batman' Liking, as I do, offbeat idiosyncratic art, I feel I ought to like Surreal Art more than I do.  But with the famous so called 'fine art' surrealists I often find myself slightly underwhelmed by the art.  I admire a few of Salvador Dali's works for example, but much of it leaves me cold.  My interest in surrealism is rejuvenated by the maybe lesser known artists and illustrators like Bill Carman.
Interesting observation, and it accords with my own feelings about surrealism in general - maybe I just have too literal or practical a mind, but while I admire the enormous skill in these works, I don't get them: probably because there's nothing specific to "get" - they're a journey into the subconscious; and I'm not entirely sure I've even got one,  so I tend not to comment  (I asked a friend what he thought; he said "well, they're about FUN .... and  you, um....  well let's just say it's not the first word that comes to mind when thinking about you ...".  Which I thought was tactful) .
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