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Inspiration From Artists Wk 160 Featuring Artists : Edward Aston Cannell and John Naylor
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Posted
Not my thing at all, but felt I ought to look at his work - if only to support Paul's long term and often solo efforts to keep this, a favourite thread, alive. Although I wouldn't hang it on my wall, this pastel of a European Bee-Eater does avoid the sentimentality that many animal portraits engender.


Posted
Don’t think it’s a Sparrowhawk, Sylvia, believe they have yellow eyes. Maybe a Buzzard or Peregrine Falcon? Perhaps someone else will recognise it. We also get the occasional Sparrowhawk taking our lovely bluetits, but not often thankfully. Hope Sam has a strong stomach!
Edited
by Jenny Harris
Posted
Jumping back to the thread, and then about a bit: I'm not surprised that Nina Hamnett was abandoned as a choice - her passion was devoted to her alcohol fuelled lifestyle, rather than into her art; and her range was limited. She had rather a sad life. On the "sentimentality/chocolate box" front - I don't actually mind a bit of sentiment, provided it isn't actively untruthful - doesn't present an idealized view of a world that wasn't ideal at all. I don't think the animal portraits are sentimental particularly, but they - some of them anyway - could adorn a chocolate box or calendar, without much difficulty. So could Thorburn's, which some of the above approach - I had a collection of Thorburns: more books I sold to finance a house move! Wish I still had them.....
I only pick this up because I was once accused of painting chocolate-box pictures myself - most landscape painters probably have been, and that's what I (still) mostly do: I think the accusation was nonsense, but am a bit sensitive on the subject, and while I'm conscious of a certain cross-over of genres, and Mr Naylor might get a bit near to the dividing line - if you look at that rhino drawing, at the wild boar (even if he is in a slightly comic pose) at the otters, and particularly at that Jack Russell - poised to leap into action, the muscles almost visibly quivering - and the avocets: that's not sentimentality, that's representing the essence of those animals and capturing their spirit.
By the way Sylvia - that's a Black Rhino - how do I know? Spent many holidays in my youth at Uncle Vic's house - he was a senior keeper at Bristol Zoo, and I was exposed to all sorts of critters: the White Rhino has a much broader snout.
Posted
I must look through my sketch books ,somewhere I have a sketch I did in Kenya of a white Rhino, I’m sure you are correct re tge Perigrine Falcon Robert…the painting gives no indication of size and I seem to have a plethora of sparrow hawks which of course are much smaller….
Possibly a female Merlin ?
Edited
by Sylvia Evans


