Inspiration From Artists Wk 160 Featuring Artists : Edward Aston Cannell and John Naylor

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Hang on Studio Wall
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Not my thing at all, but felt I ought to look at his work - if only to support Paul's long term and often solo efforts to keep this, a favourite thread, alive.  Although I wouldn't hang it on my wall, this pastel of a European Bee-Eater does avoid the sentimentality that many animal portraits engender.
I’m with Sylvia and Jenny on this - the animals are magnificent.  I especially like the avocets.
A couple more …..
Lovely animal portraits- but particularly like the rhino!
Lovely wildlife paintings….is that a wicked Sparrowhawk? I could be wrong…they  breakfast o my blue tits, I also he a garden full of badgers ,Sam enjoys their droppings.   Smashing choice. 

Edited
by Sylvia Evans

Don’t think it’s a Sparrowhawk, Sylvia, believe they have yellow eyes. Maybe a Buzzard or Peregrine Falcon?  Perhaps someone else will recognise it.  We also get the occasional Sparrowhawk taking our lovely bluetits, but not often thankfully.  Hope Sam has a strong stomach!

Edited
by Jenny Harris

I think it’s a Peregrine Falcon , Buzzards are a heavier more brown bird  similar to the Red Kite we have a lot of both around here.  Next weeks featuring arts are Peter Barrett and Ralph Thompson , a change to the program. 
That's a peregrine falcon - the female, or a juvenile.  We have them around here, too.  And yesterday, I saw a fantastic kestrel, the male bird, the chestnut colour of his back caught in the wintry sunshine.  Cheers you up to see them, as does the work of this artist.  
Jumping back to the thread, and then about a bit: I'm not surprised that Nina Hamnett was abandoned as a choice - her passion was devoted to her alcohol fuelled lifestyle, rather than into her art; and her range was limited.  She had rather a sad life.  On the "sentimentality/chocolate box" front - I don't actually mind a bit of sentiment, provided it isn't actively untruthful - doesn't present an idealized view of a world that wasn't ideal at all.  I don't think the animal portraits are sentimental particularly, but they - some of them anyway - could adorn a chocolate box or calendar, without much difficulty.  So could Thorburn's, which some of the above approach - I had a collection of Thorburns: more books I sold to finance a house move!  Wish I still had them..... I only pick this up because I was once accused of painting chocolate-box pictures myself - most landscape painters probably have been, and that's what I (still) mostly do: I think the accusation was nonsense, but am a bit sensitive on the subject, and while I'm conscious of a certain cross-over of genres, and Mr Naylor might get a bit near to the dividing line - if you look at that rhino drawing, at the wild boar (even if he is in a slightly comic pose) at the otters, and particularly at that Jack Russell - poised to leap into action, the muscles almost visibly quivering - and the avocets: that's not sentimentality, that's representing the essence of those animals and capturing their spirit.   By the way Sylvia - that's a Black Rhino - how do I know?  Spent many holidays in my youth at Uncle Vic's house - he was a senior keeper at Bristol Zoo, and I was exposed to all sorts of critters: the White Rhino has a much broader snout.  
I must look through my sketch books ,somewhere I have a sketch I did in Kenya of a white Rhino,   I’m sure you are correct re tge Perigrine Falcon Robert…the painting gives no indication of size and I seem to have a plethora of sparrow hawks which of course are much smaller…. Possibly a female Merlin ? 

Edited
by Sylvia Evans

Too big for a Merlin - not that you can really tell the scale from the painting, but the peregrine is a bulkier bird.  Today's edition of Nature Notes, courtesy of Sylv and Robert...
lol we are changing the nature of the forum…( no pun intended)   I consulted a local Birdie guy…. He did say he wasn’t certain.   I gauged its size from the foliage around it…hey ho …any more views?
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