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Inspiration from Artists Week 132 Bonus Artist: RON LAWSON
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Message
Posted
Welcome to this week’s Bonus Artist. RON LAWSON, based in Perthshire, is regarded as one of Scotland’s most original and distinctive contemporary landscape artists.
Born in 1960, he spent his early years on a farm in mid-Lothian before a career took him to the art studio publishers DC Thomson in Dundee, where he progressively developed the individual palette and technique that is central to his work today.
With a passion for dramatic and sparsely populated locations, he has spent many years exploring and capturing the wild remoteness and majesty of the outer Hebrides and
Scottish Highlands.


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by Jenny Harris
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Mixed feelings about this one. Where he has painted something, I like the style, but I don't like the huge areas of flatly painted sky in some of his paintings. The ones that work for me are where the paintings are more cropped of sky...like the last of Jenny's posts above. The one immediately above it, where a plain flat grey sky occupies three-quarters of the painting, no thank you.
Posted
Quite a lot of his work is in a rather wide landscape format and doesn’t come across very well in small images (at least not on my iPad) - a couple below. I’ve also found one where the sky isn’t a single block of colour, but a rather dominant sky area does seem to be a feature of his work.






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by Jenny Harris
Posted
It's stark, strong, and clear - and that reflects very well the harsh landscapes he paints: a particularly rewarding landscape for painters IF - a) you can stand the rigours of that climate, and get out in it and really live in it, and b) if you don't do what some of the modern colourists do, and painfully exaggerate colours, in the process producing paintings that are no more than topographically accurate while lacking all sense of atmosphere (one I have in mind is Scott Naismith: it might be interesting - when we get the chance, I know of the backlog - to show some of his work: I really strongly dislike it, to the point of detestation, but it could be instructive to have others' opinions: some might love it).
This painter though has developed his own style without imposing it on an unreceptive subject - I can see that some might think it a bit one-note, but I do think it works, and that's the point.
Posted
Skies the colour of lead - which does vary in hue between deep grey and blue - are typical of the area; but I understand Lew's point and Paul's inference about the similarity between these paintings; for a good sky painter of Scottish scenerey, have a look at the work of the late Ken Bushe, whom you should still be able to find via Google. He specialized in skies, where Lawson specializes in landscape - but the comparison isn't that simple, they are very different artists.
Posted
Tessa, I agree about diminishing the effect if you reduce the expanse of sky in his paintings (I did the same as you) - and Paul has a point about the similarity of a lot of his work, but I think we do sometimes find this when we look at a lot of one artist’s work all together in this thread. Following Robert’s earlier comment, I had a look at Scott Naismith’s paintings - get your sunglasses ready!!
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by Jenny Harris
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