How did your style evolve or are you still searching ?

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I think one isn't necessarily aware of it in one's own work - but as soon as I see an Alan Bickley, an Alan Owen, a Sylvia Evans, a Paulette Farrell, and countless others on here  - I know who the painter was before I look for the name.  And I'm told my stuff is recognizable, whatever medium I've used..... but I can't see that myself!
Robert Jones, NAPA on 25/02/2020 15:41:15
Hi Robert. A lovely viewpoint on this subject. I have to say your work is recognisable so maybe as you dont see it yourself says that you are used to and comfortable in what you produce. I too finish a work and fail to realise the resemblance to my last piece until it is pointed out to me.  
Oh yes, your paintings are recognisable Robert, instantly in fact, along with the other names you’ve mentioned. I do try and vary my style, painting ‘thin’, at times, sometimes heavier impasto style, but I’m always recognised. I have changed styles over the years, I’m still searching though, I’m still not happy! Are we artists ever?
Alan Bickley on 25/02/2020 16:16:00
You have a lovely style Alan, one that is very pleasing to the eye but i do synchronise with you in the fact that styles can evolve and change to the point that we become happy with it but theres a nag that another level could be reached, hmmm are we ever finished ! 

Edited
by Tony Compton

Is ‘scruffy’ a style, if it is, I have it nailed! It’s certainly elusive, this ‘style’ business. As Sylvia and others have mentioned, I can recognise a regular gallery members work instantly. Whether that is down to the use of the same palette, subject, technique or medium.....I don’t know.  It isn’t something I strive to achieve, how I paint tomorrow will always differ from how I painted yesterday because of other influences......especially discovering artists  that are unknown to me, or visits to galleries, listening to speakers. It would be impossible not to soak up the knowledge and be inspired by it all. 
Fiona Phipps on 25/02/2020 20:15:08
Hi Fiona, a lovely response and ‘scruffy’ lol  Nooo i dont see yours as that, its lovely and appealing, it certainly is a mystery this ‘style’ conundrum which is why i opened up the debate, as you say it doesn't have to be a factor as whats wrong with taking knowledge from others but then some say you need to be dominant with a style to be published in mags etc.., however it is lovely to hear all these viewpoints and i think its great we are all lucky enough to paint to a standard however varied. : ) 
Sometimes an artist's " signature" is in the pallette used or how the brushstrokes are laid down. I know I tend towards particular palettes, they are usually harmonious ones. Some artists use clashing colours ( for specific reasons) and that can be a " trademark".  An artist's " style" evolves over time, I think, and becomes recognisable. Like Sylvia, I can usually recognise an artist from their painting. It's not something you can force, it just happens. Often you start out imitating a painter you admire. It doesn't work with me, the end result becomes" mine", however much I may not want it to. However, I have seen work where the painting is " in the style of" - this kind of work doesn't impress me, it's almost as if there are no genuine emotions coming through.
Marjorie Firth on 25/02/2020 20:25:41
Hi Marjorie, thanks for a lovely post, yes i agree, i too have seen artists trying to paint a similar look to another style and i dont think this helps at all in bringing out your own true art identity. I think your work is lovely and true to you and as you say the signature is in the pallette, yes it evolves over alot of years of practising the art of colour mixing, i think this is the key factor for bringing out your own identity or style. As yourself and others have said eventually your work does become recognisable but only through hard work and i know u’ll agree.. a true dedication to your own work and style with no copying ! I think also what helps me is that i have a strict rule for not using any reference material Unless its my own photos or sketches, this can help in forming a sense of character or charm to a style. Onwards and upwards Marjorie : )

Edited
by Tony Compton

I'm so frustrated! I posted a reply earlier in the evening and must have forgotten to press " post". Aaaagh! Anyway, in more of a nutshell, I think style evolves with time. You certainly don't have a "signature" to begin with. I remember wondering if I had a " style" and now I think I do but I didn't pursue it, it just came. I know that I favour certain palettes and I'm conscious of trying to get across a feeling or an atmosphere, that's what attracts me to a subject.  It would be interesting if we could line up some paintings from the site, without any info about the artist's identity, and see whether we would recognise the artist. I'm sure I'd recognise a fair few from the palette, the way the paint is laid down, the topic. I could go on but the nutshell would have to be a big one! Spooky or what? My previous post has appeared!🤔

Edited
by Marjorie Firth

I'm so frustrated! I posted a reply earlier in the evening and must have forgotten to press " post". Aaaagh! Anyway, in more of a nutshell, I think style evolves with time. You certainly don't have a "signature" to begin with. I remember wondering if I had a " style" and now I think I do but I didn't pursue it, it just came. I know that I favour certain palettes and I'm conscious of trying to get across a feeling or an atmosphere, that's what attracts me to a subject.  It would be interesting if we could line up some paintings from the site, without any info about the artist's identity, and see whether we would recognise the artist. I'm sure I'd recognise a fair few from the palette, the way the paint is laid down, the topic. I could go on but the nutshell would have to be a big one! Spooky or what? My previous post has appeared!🤔
Marjorie Firth on 25/02/2020 23:31:17
Haha Marjorie, that is spooky, or the gremlins are back with a vengeance : ) I replied to your post which was fab !!
I'm going to play devil's advocate here (a bit) and say that I think a style is something to avoid. Of course it depends on one's exact definition of the word in this context. Although my own work, I know, has recognisable characteristics that come from the subject-matter, the media I use and the manner of my mark-making, if I felt that things were becoming style-ish I would want to do something about it I think. I have, once, destroyed a number of drawings because I felt that the style was overtaking everything else. I have—and I'm sure that I will again—copied a work of an artist I admire. Even though I knew something of his methods I didn't attempt to reproduce those methods accurately, more I tried to bend them towards my own preferred way of working. The result was informative and I feel did move me to a different way of examining my own work. I go to a weekly life drawing group and I do often use the sessions as a means of exploring ideas and approaches. Sometimes it's a sort of "I wonder if it would work if I…" and sometimes it's revisiting old ideas and trying to bring a different eye to them.
I'm going to play devil's advocate here (a bit) and say that I think a style is something to avoid. Of course it depends on one's exact definition of the word in this context. Although my own work, I know, has recognisable characteristics that come from the subject-matter, the media I use and the manner of my mark-making, if I felt that things were becoming style-ish I would want to do something about it I think. I have, once, destroyed a number of drawings because I felt that the style was overtaking everything else. I have—and I'm sure that I will again—copied a work of an artist I admire. Even though I knew something of his methods I didn't attempt to reproduce those methods accurately, more I tried to bend them towards my own preferred way of working. The result was informative and I feel did move me to a different way of examining my own work. I go to a weekly life drawing group and I do often use the sessions as a means of exploring ideas and approaches. Sometimes it's a sort of "I wonder if it would work if I…" and sometimes it's revisiting old ideas and trying to bring a different eye to them.
John Humber on 26/02/2020 14:00:45
Hi John, this is the enjoyable think about creating art, we all have and are entitled to our own wants, needs and beliefs. It’s respectable that you feel that way about the subject as you are sticking to your own individuality as an artist.
I'm so glad this post has come up. I spent years trying to define my style and still trip up now when people ask what type of painter am I.  Erm landscape, bit dreamy or very stormy depending on my mood... this answer never seems enough. Surely I need a proper title like impressionism to be considered cultured and mature enough to be respected as an artist. So I try my best to.avoid answering. However, this thread is enlightening, to see so many others with similar points of view. I'm working again with Oils at the moment, so my current style is 'enjoyable, self exploration and I seem to be covering every subject at the moment. I painted sunflowers today, unheard off for me and may never do it again. I have a new found respect for Van Gogh, how did he do it? Alicia
I'm so glad this post has come up. I spent years trying to define my style and still trip up now when people ask what type of painter am I.  Erm landscape, bit dreamy or very stormy depending on my mood... this answer never seems enough. Surely I need a proper title like impressionism to be considered cultured and mature enough to be respected as an artist. So I try my best to.avoid answering. However, this thread is enlightening, to see so many others with similar points of view. I'm working again with Oils at the moment, so my current style is 'enjoyable, self exploration and I seem to be covering every subject at the moment. I painted sunflowers today, unheard off for me and may never do it again. I have a new found respect for Van Gogh, how did he do it? Alicia
Alicia Tolhurst-Brown on 27/02/2020 21:45:23
Hi Alicia,  Such a lovely response to this post and heartfelt too. Its a tricky subject to figure out or answer as we all have a different mindset to it, where you mention to answer someone regarding your style is a tough one maybe you just dont need to, yes impressionism ‘ could ‘ be a catagory for your art but the word style could just be a very recognisable artist where ever their work is seen.. even without a signature. After reading your post i looked at your work for the first time, it is gorgeous and you have an obvious trendy ( style ) if you like... of juicy colour so to me as an artist or a buyer would notice this and the first guess who it was painted by would probably be correct. Personally... i just paint, forget about technicalities and let the brush do the talking. It was great to hear your point of view on this and as you said other artists have similar ones which is why i was intruiged to hear all this and open up the subject a bit more. All the best  Tony
Thank you for your reply Tony, I was very touched and loved your expression of my work. You're the first to ever tell me in a while. I of course went and checked out your work.  What stood out for me was your understanding of our heritage in a modern time and how we can still fit in. I found this refreshing. Your modern people in old villages really work well. You have closed the time gap.  The reason I love this is because I love our English heritage, and our quaint villages for the sense of home and grounding.  Your subtle use of colour and attention to detail bring this feeling to life.  Anyway, I'm not sure you needed me analysing your work, but you definitely have a unique style, one that certainly our hearts can and want to identify with. I look forward to seeing more Alicia
Ahhh, thank you so much Alicia for such a lovely reply, it really was so heart warming to read. Yes i agree our heritage is gorgeous and we are blessed with so much which is lovely as artist’s that we are able to record onto paper. It also brings us artist’s together too to share thoughts and opinions on things that we feel are important. You are so welcome regarding my comments of your work, it’s beautiful and without doubt i will take a closer look at your treasures when time permits. Happy painting, keep smiling and i’ll catch up soon. Tony
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