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ACRYLIC
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Interesting, your comment about Payne's Grey, since there was a recent exchange about the lovely blueness of Winsor and Newton's as opposed to the blacker qualities of Daler Rowney's..... seems that you would actually prefer the latter; I've never directly compared it with W & N's neutral tint, but will when I can.
Hilder was a marvellous draughtsman; he used lamp black (as you say) extensively - I just couldn't begin to get the results he achieved with it.
His books, especially the one you mention, must by now have inspired several generations of painters in watercolour.
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