Anyone made their own reed pen?

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I'm certainly interested, Alan - a bit quiet on this subject, because I've never used a reed or bamboo pen. But I do use dip-pens; and a brush with Chinese ink sometimes; and pencil with ink washes - charcoal with ink; and I've used cocktail sticks, match-sticks, bits of card, charcoal, conté crayon, quills .... for all that, I've not done much of it recently so haven't much left to show for it. I am encouraged to go back though, and have another few cracks at it. I think the answer to the question about 'why reeds/quills/dip-pens' as opposed to a convenient pen with pigment ink and a reservoir, or a sketching fountain-pen with different inks, is the quality of line - the life you can get even from a flexible steel nib, and certainly from a reed, or bamboo (as I know from others' work). I shall look back in the thread for Daveyboyz's suggested pen - may even have used it myself, and they score heavily if you're working in the field: playing with an open bottle of ink in the great outdoors is not something I want to do. And indoors, all of these implements have their uses - it's just that it's in artists' nature to experiment with their materials. (On the subject of these convenient pens, one of my favourites is the UniPin brand, made by Mitsubishi.)
Thanks for that, I shall investigate - I'd like one of those.
Well, that was great, thank you for some extra comments and interest. As Robert has said, these aren't so easy to use 'in the field', studio work only I feel as I suppose is how Rembrandt used them, not sure about van Gogh though! The good old dip in pen is a favourite of mine, I don't have any issues with having to keep heading for the ink bottle. I may try that 'noodlers' pen at some stage, it's a new one on me. But, the flexible aspect of the reed pen is what I particularly like and was the reason for making a batch after reading the article. You can also 'block in' areas that a scratchy steel nib can't do very easily. Lew, don't give up on the Edding 1800 just yet, your style of work does suit that accurate line, it would be interesting to see how you tackle a dip-in nib pen mind you, always good to experiment. Thank you to each and all of you for your input.

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