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Anyone made their own reed pen?
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Posted
I am pleased to report that my Scottish reeds have arrived intact. (I have thanked Fiona in an email).
They look excellent, about 12/14in or so in length and just a tad thinner than a pencil and quite dry, perfect in other words and gives me some spare material. I am busy today but will have a go at cutting one later on. I am going to follow the clear and precise instructions as laid out in The Artist feature by Jason Bowyer. He cuts the nib and then makes an incision down the centre, like you see on a pen nib. This gives added flexibility and ink flow, so this should produce exactly what I'm after.
Posted
I've cut a few nibs, I am able to get a very fine line which is good. I did find that soaking the reeds in water for a while before cutting did stop any splitting which can occur. I will draw something up in a day or so to show my results. Until then, please try and contain your excitement...
Posted
Yes Sylvia, it is an interesting article and certainly inspired me to give it a go. I've had a dabble with a few ideas and this is where I'm at. Drawing say architectural stuff, buildings and the like which involve a lot of straight lines just doesn't work, well, not for me. You are not able to achieve that beautiful calligraphic line that I am after. So, after several disappointments I've come up with this quickie of the Grandchildren drawing.
It won't suit everyone that's for sure - if you are looking for uniform lines without blotting, smudging
and so on then this is not for you. I love it and will continue experimenting.
Posted
I knew when I started this drawing that you like to draw in this style. It's just black India ink, I made a small cup of diluted ink as well to start me off - you can see that on the drawing. That was a suggestion from the article. I love the expressive 'gung-ho' direct approach style of drawing this way, getting right away from anything verging on draughtsmanship!
This is all 100% reed pen on hot pressed (HP) watercolour paper. Again, as stated in the article, you can introduce brush work, in fact mixed media as in his examples. - plenty to explore.
Posted
Thank you Sandra, and of course Fiona and Sylvia for those replies to my reed pen sketch. Doesn't seem to be a lot of interest in this post so I won't bother posting any more of my efforts. Could it be that its got lost amongst all this cyber mayhem that has hit us?. Probably not...just a general disinterest in drawing I feel.
Edited
by alanbickley
Posted
I think there is a lot of interest, Alan. Your post has had nearly 500 views. I've been following it, but, stupidly, have made no comment. I don't post very often because sometimes you get the feeling that there's tumbleweed blowing through the forum...perhaps I pick the wrong subjects. But as someone who loves drawing in all it's forms, your post has been of great interest. I doubt that I'll try reed pens, for the same reason I stopped using a dip pen...blots, spurts, etc. But in fact a dip pen is far more responsive a drawing tool than a mechanical pen...so even if I'm not persuaded to try reed pens, you've revived my interest in dip pens...I'll give them a go. (Not the purpose of your post, I know. But I'm thinking what do a few blots matter.) I liked your sketch, and hope you feel you can continue to share your progress.
Lew,
(Found guilty of lurking silently in the forum)