In conversation
In conversation
The Canal du Midi by Ernest Greenwood
Ernest Greenwood takes us through the production of a painting and points out that there is really no easy dividing line between one stage and another.
How to paint a fishing village in alkyds by Michael Kitchen
Michael encourages the use of a medium he considers to be greatly underrated
Making light work by Diana Miller
As the days shorten, Diana Miller welcomes the chance to draw the curtains and turn on the lights. She explains how she takes advantage of artificial light when painting her still life in watercolour.
Ways with watercolour: line and wash by G J Blockley
G J Blockley explains why drawing and painting should be integrated into a balanced whole
Painting and laughing in the rain with Winston Oh
Winston Oh proves it is possible to make the best of bad weather on painting holidays.
An Artist’s Devon by Hilary Page
Returning to an area she knows well, Hilary Page reveals her favourite painting spots beside the sea, in the countryside and on the moors.