100 Years of indian cinema...Satyajit Ray

100 Years of indian cinema...Satyajit Ray
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Great picture Pratim.

Thanks karyl Quigley....

Hang on Studio Wall
01/04/2015
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100 YEARS OF INDIAN CINEMA...SATYAJIT RAY...Satyajit Ray (Shôtôjit Rae, listen (help·info); 2 May 1921 – 23 April 1992) was an Indian filmmaker, regarded as one of the great auteurs of world cinema. Ray was born in the city of Calcutta into a Bengali family prominent in the world of arts and literature. Starting his career as a commercial artist, Ray was drawn into independent filmmaking after meeting French filmmaker Jean Renoir and viewing Vittorio De Sica's Italian neorealist 1948 film Bicycle Thieves during a visit to London. Ray directed 36 films, including feature films, documentaries and shorts. He was also a fiction writer, publisher, illustrator, calligrapher, graphic designer and film critic. He authored several short stories and novels, primarily aimed at children and adolescent. Feluda, the sleuth, and Professor Shonku, the scientist in his science fictions, are popular fictional characters created by him. Ray's first film, Pather Panchali (1955), won eleven international prizes, including Best Human Documentary at the Cannes Film Festival. This film, Aparajito (1956) and Apur Sansar (1959) form The Apu Trilogy. Ray did the scripting, casting, scoring, and editing, and designed his own credit titles and publicity material. Ray received many major awards in his career, including 32 Indian National Film Awards, a number of awards at international film festivals and award ceremonies, and an Academy Award in 1992. The Government of India honoured him with the Bharat Ratna in 1992. Ray illustrated all his books and designed covers for them, as well as creating all publicity material for his films, i.e., Ray’s artistic playing with the Bangla graphemes was also revealed in the cine posters and cine promo-brochures’ covers. He also designed covers of several books by other authors. In his calligraphic technique there are deep impacts of: (a) Artistic pattern of European musical staff notation in the graphemic syntagms; (b) alpana (“ritual painting

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