Debbie Harry by Peter Smith

Well, I recognized her - always a plus.... I'm liking those shadows, indicating form; it's so hard to do that without making it look as if your model has smeared paint on their face; perhaps the key to doing it is to mix your shadow colour into the flesh tones, and blend it in; though others like to achieve a harder-edged look. Anyway, I think this is a further step forward for you.

Sorry Peter but I preferred your first painting

I hardly touched it Heather, just made her right eye a tad larger and added some warmer tones to her face.